tenfootpole.org

By Frank Schmidt
Self Published
5e
Level 1

A religious festival in the nearby town of Saratoga is the spot your introductory level PCs have opted to begin their careers. With so many people coming to the festival the group anticipates finding information on adventures they can start their budding careers with. Action begins sooner than expected as the celebration is interrupted by a group of Stirges bothering some of the revelers and it quickly gets worse…

This 32 page starter adventure takes characters to level four from adventures in and around a small village being attacked by undead. Single column, bad read-aloud, bad DM text, “challenge” orientation … There are certain things in adventure design that make you say “ought oh!” and anticipate the worst. I’m not saying it’s right, but it happens. A high page count to low encounter count is one such thing. It doesn’t always mean trouble, but can. Another is PROMINENTLY DISPLAYING YOUR TRADEMARK NUMBER ON THE COVER. Priorities may have been misplaced. This is the usual combat dreck.

This adventure has a point of view and it embeds it in the text, deeply. The player background is a good example of this. “The time has come for you to be the hero you want to be” and “your master has explained …” and “you’ve finished your training and said your goodbyes …” Typical of most railroad adventures, you’re told what you feel and how to be. The player is robbed; their story is no longer theirs but the DM’s … or designer. This isn’t a village being attacked by undead that the characters encounter; that kind of open ended thing that you can slot your game in to. You’re told who you are and why you are there. This is embedded throughout the adventure.

Moving on to the DM text we’re told “The path of an adventurer is not an easy one and great care should be taken in selecting associates of a similar train of thought.” and “Although it is a small village, the area of Saratoga is about to present the young adventurers will a very large opportunity for their careers.” This kind of nonsense drives me nuts. It’s filler. It serves no purpose. Unfocused writing, not understanding the purpose of an adventure.

The read-aloud is consistently weak. “A quick look around shows several people near the edge of the festival attempting to fend of large flying creatures. As you look on you realize that this is a problem.” Really? They realize that this is a problem? Large flying creatures? Well that certainly makes the mind race and the pulse quicken. And the DM text for this? It starts “The first test for the new PCs will be a group of four Stirges …” Weak read-aloud, unfocused DM text …

The adventure is essentially linear, with programmed events occurring. Skeletons come down the path to the village, after the stirge attack. If you’re not there then a small child comes to get you. No skipping! Then you go to the cemetery and enjoy text like “You wanted a little adventure in your life, seems it has found you already.” Then on to the next encounter/challenge. No real village to interact with, generic descriptions …

You know, there’s something to be said for Just Do It. It’s admirable. Dude wrote and published an adventure. That’s a hurdle a lot of people don’t get over. He’s also charging for it and didn’t disclose that the fucking thing was 5e! Uncool. This thing is just a series of combats broken up by read-aloud.

This is $3 on DriveThru. They have it in the OSR category. Nothing could be further from the truth. The preview is two pages and it shows you EXACTLY the kind of content you are getting. Ponderous read-aloud. Ponderous DM text. Embedded plot. Enjoy.https://www.drivethrurpg.com/product/219845/SQ1–Yearning-for-Adventure?term=yearning+for+adventure?affiliate_id=1892600

By Tim Bannock
Self Published
5e
Levels 5-8

It is primarily set in a modron-designed research facility that has been abandoned by its creators but retains guardians that are still active. Additionally, two groups have broken into the facility with their own goals in mind; the githyanki and their red dragon cohort are antagonistic and provide the main source of combat in this adventure, while a modron traveling with a few mephits may prove friendly although ultimately troublesome.

This seventy page adventure describes a three-level modron lab with about sixty rooms total. Only thirty or so pages are devoted to the dungeon, with the rest being appendices for monster stats, maps, etc, and it manages about four rooms per page when it is being terse and the rooms are simple. While for 5e, t’s trying to bring in elements of older play, with factions, better (non-linear) maps, interactivity and a generally slower/more exploratory environment. It’s trying to be organized, and succeeds admirably on several points, but the bulk of the text had readability issues, in both clarity and verbosity, which detract from the more interesting room elements which don’t come across well because of it.

A village water supply, from a river, has dwindled to nothing and you go up river to find out what happened. Discovering the water trickling from a (long-existing) dam you explore it to discover some other factions, friend and foe, inside. At heart, this is an exploratory dungeon crawl with another enemy faction (and the dungeon faction proper) already inside, and some allies to potentially recruit. Both the initial village, and another along the way, serve as rumor sources to collect information before venturing in. The NPC’s are all gathered in a small section, with personalities, that makes wading through their (longer) descriptions later a lot more tolerable. In addition, the information you can gather is separated out nicely in bullet-form faction, making it easy for the DM to locate and scan. It’s a great formatting decision.

The maps are decent and the three-level dungeon does a pretty good job of feeling like a lab to explore, without going full on gonzo nutso scifi. There are lots of levers, dials, viewscreens, and so on to play with. Command words to guardians with clues left about, prisoners to rescue to join forces with, simple room puzzles and interactivity. There are things to figure out and use to your own advantage when exploring/interacting. The core concept of the dungeon is a good one and the rooms, while not standouts, hit that bar of “good enough” in terms of variety and interactivity.

The adventure falls down, though, in the actual descriptions used to explain the rooms. They are long. They concentrate on irrelevant things. They try to explain WHY things are. In essence, the descriptions tend to focus on the irrelevent parts of a room, which obfuscates the more relevant portions. What follows is a lack of clarity and a hinderance to scanning the room and running it effectively.
Room D1-2, on page 13, the first level, is a good example. The first paragraph is all background, what USED to happen in this room. “The river originally flowed from X to X and then to Z but is now dry.” and so on. It tells us nothing new and adds nothing to the room. What USED to happen is irrelevant unless it impacts the party NOW … and ancient history seldom does.

The second paragraph tells us the evil faction came through here, heard a command word, and used it, thus the automated defences are still intact. The adventure falls in to this trap, explaining WHY, in a lot of rooms. There’s a decanter of endless water, held by an iron golem, who says the command word over and over again, in order to get a stream of water. It’s currently disabled, hence no water stream. There’s a trap here. The rules, those three books, they are for the players. There’s not a single word in any of them that binds a DM. You don’t need to use the rules to explain or build an effect. It happens because MAGIC. There’s no reason for a decanter until you want the party to steal it (which they will.) A water nymph pieced by a spear that bleeds water, or any of literally a ZILLION other things could create water. Dead unicorn heads, or horns, whatever. There’s never a reason to explain WHY. (Or, almost never, anyway.) All of that just clogs up the room, detracting the really important stuff: the evocative descriptions and DM notes. It’s hard to scan during play with this much text involved.

The read aloud tells us the pool is 40 feet deep. It’s only 20 foot full. It’s 15’ wide and 20’ deep. Steps lead up 5 feet. These are not evocative descriptions. The text should get a vibe across to the DM, so they can enhance it and get it to the players. Steel-walled, a deep clear pool with a catwalk over it. A gleaming glass tube coming from the ceiling and ending in the water. Present a vibe. The map can handle the dimensions.

And there’s another issue: cross-room issues. There’s another room nearby that causes things to happen when you step on the catwalk. But you don’t know that until you get to that room. Likewise, there’s a room nearby (the one with the decanter in it) that is at the end of a long hallway that’s patrolled, with a faction guardroom down near the other end. But you don’t know that until you get to the faction control room. “Uh, sorry, hang on guys, it looks like that hallway is actually patrolled, the one you came down.” Ideally, you integrate this sort of stuff either in to the map (the patrolled hallway) or reference it in another room. “If you step on the catwalk see room 1-3.” or some such. You need a pointer. Otherwise you’re forcing the DM to be INTIMATELY familiar with it or scribble on the map, make notes, etc. And that’s not the DM’s job. That’s the designers job.

I don’t want to come off too harsh. For a 5e exploratory dungeon, this thing is headed in the right direction. It’s got a nice order of battle for creatures in the dungeon, doesn’t have more than sentence or so on monster tactics, and uses bullet points pretty effectively in room descriptions. What is really needs is a stronger focus on the CORE of the rooms. The evocative nature. The text should be terse, but not minimalist. Every line should help the DM run the room. A BIG edit for verbosity and more evocative descriptions (not longer, more evocative) would do wonders for this and turn it in to a really good 5e exploratory dungeon.

It’s $5 on DMsguild.
http://www.dmsguild.com/product/219400/Modrons-Mephits–Mayhem–Adventure-for-Levels-58

There’s a free preview of ALL of level 1. Check out the last page & last column to see room 2/2a, with its backstory and explaining why. The entirety of 2/2A, that is seen here, could be shortened to maybe three sentences and be just as, if not more, useful to the DM running it.
http://www.dmsguild.com/product/215276/Modrons-Mephits–Mayhem-Free-Preview-Edition-Adventure-Levels-46

By Walter P. Jones Jr.
New Realms Publishing
Labyrinth Lord
Levels 1-3

The trading season has begun and the town of Ravenor is filled with merchants and celebrators looking to enjoy the upcoming Spring Festival. But not all is well in the capital of Crysamar Vale. Tremors rumble through the land, damaging buildings, and fisherman complain that the fish are becoming scarce. And during quiet moments, when the fires burn low and most revelers have long since gone to bed, the rumors grow darker. Tales are whispered of bloodless bodies being found in the streets at dawn, of boats drifting down river in the morning mist, their crews gone, and of strange smells and sounds that make the blood of even the hardiest soul run cold. Something dreadful has come to Ravenor.

This 25 page adventure describes a fifty room “standard” dungeon The map is actually decent, but it is PLAGUED by long read-alouds, boring history and room trivia, and massive amounts of DM text. This reminds me, most of all, of the initial draft of Dwimmermount: minimal keying expansively described.

The start/introduction has a column of read-aloud. The town council, a column of DM text later, has another column of read-aloud text. The rooms have read-aloud. The read-aloud is boring. Here is a masterpiece: “ A small stream of water flows into this chamber from a passage in the north wall, feeding a large pool in the southwest corner. Light debris litters the floor and there is an opening in the east wall.” The focus is on trivia from the map. Where the stream enters. Where the pool is. The detail is uninteresting “light debris.” This is not specific, generic, using boring adjectives like “light” and unspecific nouns like “debris.” This read-aloud has done NOTHING for the DM or the players. Floors have dirt and debris in read alouds. Mounds are “large” in the read-alouds. This is poor writing, evoking nothing but boring genericism. This is then exacerbated by long DM text. It’s long, contains history and room trivia not relevant to running the adventure. “A hidden catch will open the secret door, revealing the passage beyond. There is nothing of value in the room.” This is akin to telling us, in a normal village, that the sun shines or that a door can be opened. Of fucking course a door can be opened. That’s the nature of a door. It’s notable if it CAN’T be opened. Expansive text for minimal keying.

There are bright spot. Creatures with bulbous eyes and webbed claws. And here’s a temple description in read-aloud: “Trailers of mist drift through this large room, diffusing the pale green light that emanates from a crystalline dome overhead. Mottled blue stone forms the walls and floor. To the south, a large object looms in the mist.” That’s a decent read-aloud description, painting a picture of a room in your mind. But there’s FAR too little of it and far too much DM text to wade through. Focus, people. FOCUS!

The map is decent, using color and having themed sections and a nice selection is flopping corridors, the way an exploration dungeon should have them. It’s only half a page though, making it hard to read; a full page map would have been better.

The adventure also has an objectives table You go in to the dungeon at the behest of the town council. As you come out, and share information with them, they will offer you various rewards. Did you tell them about the evil temple? They are pleased to know about it and they’ll pay you a little more. There’s about twenty entries on the table and I think it’s an interesting mechanic to push the party to interact with the council/town, and push them to explore. There’s not really any decent information to help the DM interact with the town, but, hey, the table IS interesting.

Lots of read-aloud. Lots of DM text. It’s a pain to wade through and the bulk of the text just isn’t that creative or interesting. The core of the dungeon, as a “generic dungeon” isn’t that bad, with rats, undead, mist, temples, etc, but the amount of effort you need to get there is just too much for me, much like the original Dwimmermount draft.

This is $6 on DriveThru. The preview is five pages. All it shows you is the massive read-aloud for the introduction/start and the town council, etc. You learn nothing of the actual rooms. Bad preview! No cookie for you!https://www.drivethrurpg.com/product/104138/CV1-Catacombs-of-Chaos?affiliate_id=1892600

By Alex D. Karaczun
Mischief, Inc
1e
Levels 1-3

In ages past, nations fought great wars with the aid of powers from fiendish allies. Much has been forgotten since then, but sometimes that which is forgotten can be the greatest danger of all. Goblins are raiding the small villages near Caer Carega. Is it just the depredations of a few desperate tribes, or is there something more sinister behind the night raids?

This forty page adventure details a three level dungeon with about forty rooms, as well as a small overland adventure. Goblins have been raiding and the party is sent to find & kill them, ending up in their base; the tower. Inside is a “goblins have taken over a ruin” dungeon, stuffed full of magic and monsters. Long & meaningless descriptions that seem like filler are the highlights of this and, frankly, I’m struggling to find this adventure brings to a table. It’s just Yet Another Goblin Lair adventure.

You’re hired to go find and destroy some raiding goblins, while the regions own militia pull back to protect the villages and homesteads from the raids, which at least makes sense. The party is sent out in to the wilderness to find the goblins with no hints, NPC’s to talk to, or any supporting information even about which way the goblins come from. They wander the wilderness, use the wandering monster chart, until the DM drops a hint and they find a ruined tower wherein the goblins lair. I’m not a fan of most of this adventure, but this really stands out to me. It’s all abstracted away with no support for the DM to run a meaningful encounter in getting hired or asking about. No ruined villages or homesteads or any resources if the party asks about … which they are sure to do.

The ruined tower has ruined ground floor and then two dungeon levels. The dungeon levels are pretty standard with goblins, a couple of other demi-humans, some undead in old ruined areas, and a few vermin. It’s mostly uninteresting encounters with monsters stuffed in to rooms who react when you open the door, and little else to explore or interact with. The bugbear sleeps in his armor, there’s no real response to an incursion outlined, it all feels like just monsters stuffed in a room with not much tying it together besides “it’s a goblin lair.” It’s best when it is defying this, such as with the young white dragon that lives in the tower and may fly out. But there’s far far too little of this.

The descriptions are long; long read-alouds and long DM text, for meaningless text. Once, after a long read-aloud, there was a DM note, the first sentence, stating “the knives in the description are worthless.” That’s the story of this adventure in a nutshell. The mundane is expanded upon both in the read-aloud and in the DM text. “Characters may enter this room and begin searching it.” Well, that’s great to know, I guess. Can they also breathe in and exhale? It seems petty, but repeated, a hundred times, it gets tiresome. You’re looking for that special spark to make the rooms come alive and instead you get just filler.

The magic items are another example of this. There’s an attempt to provide lore, a background, for, oh, lets say six to eight of them, mostly weapons. I appreciate a little extra in magic items, a terse/nice description, a non-mechanical effect, and so on. But the lore sections for the magic items get themselves bogged down in to backstory that is unlikely to impact play. They are at their best when they say things like “baron butthurt will pay 3x-5x the price to recover this sword” … IE: when they lead to more adventure and drive action. Otherwise it’s just more useless trivia and that shit has a place of about one short sentence for people/places/things.

To top it all off, the disguised bad guy has a ring of mind shielding and needs to get away so the other adventures in the series can go off.

Byrce’s Tip o’the day: It’s always best to just kill all prisoners in a dungeon. Because, you know, THE. EVIL. ONE.

This is a rough adventure, with LOTS of foes, and a lot of magic items to go with them. The room descriptions drag on, describing trivia, and the entire thing lacks a certain focus of purpose, with little interactivity. It’s just another generic goblin lair, this time in a ruined tower.

It’s $10 on DriveThru. The four page preview shows you almost nothing, it being the first four pages of the adventure and all backstory and how to read a stat block. At best, the last page or so describes the generic hiring hook and lack of support for the DM in running the hiring/search.https://www.drivethrurpg.com/product/183885/A1-A-Forgotten-Evil?affiliate_id=1892600