tenfootpole.org

• By Jeremy Reaban
• Self published
• OSR
• Levels 2-4

After 200 years, a bold band of adventurers plunded the first level of the dungeons beneath the ruined tower of Reynaldo Lazendry. What horrors await upon the second level of the insane mage?

This fifteen page adventure describes level two of Jeremy’s dungeon, with 56 rooms and a Frakenstein/revivification theme. It’s inconsistent and, it seems, jeremy’s heart just isn’t in it.

I’m always happy to see large dungeons, even when they arrive in installment plan mode, like this one. Big dungeons, exploratory things, are what the game was designed around and really show off the strengths of D&D. The mechanics of the game, at least up until 1e, work well with what large dungeons have to offer. To that end, the map here is an excellent exploratory map, with loops and moderate complexity that really allows the game to show off how it works. Loops, bypassing, dark corridors that anything could be lurking down … it’s all present here.

The theme here of a Frankenstein lab level, with some Herbery West thrown in, is a good one. It allows for a lot of room for weird effects. Stitch some new abominations together, give some severed body parts life, and fill in a lot with creepy things floating in strange liquids in jars. This is expanded upon with other moments, like couches whose seats can be searched for loose coins. If you accept that every waterfall needs a cave behind it then you must also accept that couches need to have things in the cushions. Life has a logic to it and D&D should play to that logic. Players LUV it when their theories and logic make good.

But, all os not good in Charnel Pit land. For every washroom with buckets full of weird eyes and baby shoggoths with attachment issues there are also fifteen rooms where not much effort was put. The food storage room, two, tell us the door is hard to break through but can be picked … and nothing at all about the room other than that. Normal food? Body parts? Anything evocative at all? No. Still, room four, the morgue, tell us that it is as cold as the food storage room. So … it’s the same temp as every other room in the dungeon, because the food storage room told us nothing. Room seven tells us, exhaustively, how many wigs are present of each color even though it has no bearing on the adventure?

The rooms are focused on history and backstory rather than interactivity. The Torture pits tells us that “Twelve of these pits contain people who Lazendry brought back from the dead using the revivification process but were incomplete or somehow not right as referred to by ancient wizards as liveliest awfulness.” So rather than focus on the occupants ,the sights and the smells and how the party might interact with them, we instead get a brief bit of history, justifying why the creatures are here. They are here because we’re playing D&D tonight. Or, we want to anyway.

Monsters, especially in something inspired by Lovecraft, should be awful. In this they are … present? We get descriptions like “strange pre-human beings not unlike ogres with very large mouths” or “appear to be a misshapen human shaped mass of flesh, often with bones exposed and large gaping maws. They are ferociously hungry, even though they don’t need to eat.” You can see hints in these descriptions of something better, but its abstracted to the point of providing little of concrete value to inspire.

Jeremy has a style that he likes to write in, and I don’t always agree with his choices, but in this adventure he seems to be slipping even from that. It feels more like a first draft, or rough notes, than it does a complete adventure. Still, coming from Jeremy, that makes it better than most.

This is Pay What You Want at DriveThru with a suggested price of $.50. The preview shows you the entire adventure, something I wish more designers would do. From it you can tell exactly what you are buying before you buy it. Note page three, the first page of rooms, for some of the writing style issues, and then page four and page ten for some light humor and heavier monster descriptions.

https://www.drivethrurpg.com/product/257586/RL2–The-Charnel-Pits-of-Reynaldo-Lazendry

• By Frank Schmidt
• Adventures in Filbar
• OSR
• Level 1

This eleven page adventure presents nine encounters, in linear order, as the party passes through a mountain pass. Single column. Linear. Read-aloud telling the players what their characters feel. Forced combat. It feels thrown together.

I don’t know what to do. I told myself I was going to find the joy in D&D adventures. Concentrate on the positive, and just mention the negative off hand. And then, this adventure was the very next one I encountered.

So, I like the cover. I used to draw little stick figure army man battle scenes when I was little and have had a fondness for them every since. Man, I used to love those little plastic army men and their playsets. And the name is nice: Murder Hobo Inc. I’ve used the Murder Hobo idea as a kind of crutch for getting the party together. Never having seen each other before, they instantly recognize their bond with one another as fellow murder hobos. Those daring few willing to live life on the edge and with gusto!

And the party has a map of the countryside showing a safe long journey around the mountains to their destination city, and a little mountain pass that’s MUCH shorter with a skull and crossbones on it. What ho! No self respecting player would ignore telegraphing like that! Adventure awaits! It’s charming.

There are several elements to the encounters that also fall in to this charming category. Berry bushes with fruit that heals, for example. Far too often adventures only include bad things. Everything you mess with is dangerous and kills you, so the party learns to not mess with things. Interactivity drives D&D, and learning to NOT interact is not the lesson we want to teach. Likewise there are some hippogriff chicks to capture. With a sale price listed, I’d be much more interested in training them, and would have appreciated some advice in relation to that. Finally, there’s this tree with some bodies hung up in it, swaying. This imagery has always appealed to me as a DM. Scarecrows, warnings, etc, always give a kind of warning, a message to the players. His serves to both set the mood, providing some subtle subconscious atmosphere, as well as providing an explicit warning to the players: dangers ahead, be on guard!

And it would have done that here had it appeared BEFORE the dangerous encounters, instead of after them. 🙁

I can take barbs because of my taxonomy, but it comes from ruined expectations. This adventure is labeled “OSR.” Look, I know that no one can agree what it means, either literally, in the case of the ‘R’ or figuratively in what it espouses. But this isn’t OSR. Some will argue that yes, it is, because it chooses to label itself OSR. And by that it loses all definition and we are admitting that everything is meaningless. ‘I liked it.’ becomes the rule of the day, of life. You can have no expectations. Of anything. And that should be ok.

Agony and Ecstasy. To live free from expectations, and thus also the disappointment that it can bring. A utopian vision that each of us is charged with, to create our own brave new world. Of course, reality that is that we subject ourselves to the petty tyrannies of life all day long, for our filthy lucre, to hand over to someone else in exchange for a car, that arrives without wheels, an engine, and looks strangely like a bag of imitation doritos (empty), for the low low price of $36,400, financed at 7% over 96 months.

The adventure starts by telling us it is linear, literally, it tells us it is linear. The party must walk in the trail and cannot climb the walls or avoid the encounters as presented. The encounters are forced fights, with little more to them (with exceptions) other than “roll for initiative.” One encounter, the DM is encouraged to rearrange the adventure to make the betrayal of the party more effective. The read-aloud tells the players how their characters feel. And it asks for a DC14 medicine check in one place. What then? And streamed on Twich!

What then?

This is $1 at DriveThru. The preview is two pages. The second page shows an encounter, representative of the typical encounter. The first page, second paragraph of the “DM Background” section. Last sentence. Linear Adventure.

https://www.drivethrurpg.com/product/261388/MHI–0-Hansons-Gap

By Travis Legge

• Self Published
• 5e
• Tier 2

Deep in the jungles of Xen’drik, embedded in the side of a mountain stands the tower of the Mad Mage Xeffon. Though his various servants can be found flowing in and out of the tower on a daily basis, the elusive wizard has not been seen in many years. Some say he no longer lives, while others postulate that he is locked up in his laboratory, tinkering with magics that could alter the face of Eberron!

This eighteen page adventure is in an eight level wizards tower with seventeen rooms. It is the usual drivil that one comes to expect of the D&D marketplace, bereft of value. I guess I deserve it for looking outside the Adept box.

Imagine my surprise in buying an adventure and finding this tasty tidbit: “This is not an adventure. It’s barely a supplement. Really, it is a toolkit which I built to use on my stream and I am sharing now with you.” Then why is it in the adventure section? Why isn’t it in the “fluff supplement” section? Because it won’t sell as well? Because people won’t mistakenly buy it then? Regardless of Bryce puffery, it IS an adventure. Travis, it appears, thinks he needs a plot to have an adventure. Adventure Location is fine, and most times tacking on a fetch quest plot makes the thing worse instead of better.

Anyway …

The map is garbage. I had to blow it up to twice normal size to make it even partially legible. Maps are not art, they are play aids. They can be pretty, but not at the expense of legibility. Screwy number fonts and a greyscale map that’s too tiny to read/use/interpret does not help the DM run the adventure.

The blurb mentions “flowing inside and out of the tower” which implies an outdoor portion, but that’s not there. This is JUST a description of the towers eight floors. The only view in to the area around the tower is the picture of it on the map. There IS no surrounding context. It’s just eight levels of a tower. Not even a description of the outside of the tower. Barely a supplement indeed!

The rooms, proper, are boring and disorganized. A neat barracks room stuffed full of lizard-people. Well-kept rooms with beds made and personal items in footlockers … is that how you picture a kobold lair? I recall making a similar complaint in some official WOTC drow barracks. Either make the kobolds kobold like or put in humans. You dilute the meaning of kobold when they are used as a substitute for human foes. Oh, you were just building an encounter and wanted something of the appropriate hit die? That’s a terrible idea and also explains why this adventure is so generic and bland. There’s almost nothing wizard-like in this tower. It’s all boring blandness. And what there is is described in a manner that makes you fall asleep. Not evocative writing at all. There’s no burning passion behind wanting to run this, based on the writing.

The room organization suffers also. There’s a writing style were you put an overview first and follow up with more detail. There’s another style where you give no thought to how the DM needs the information and just throw all the words you can think of down on the page and expect the DM to read and memorize the entire adventure for immediate recall. You can guess where this one falls …

A very basic example is the first floor. The description goes: “This floor is used as the latrine for every inhabitant of the tower, including the ogres. The sewage covers the entire floor, roughly four feet deep. There is a potpourri odor thanks to a minor illusion on the area, but it barely penetrates the sewage stench. The room is dimly lit due to several dancing lights throughout the area.” Note the first sentence. It explains the floor, providing justification for what follows. It’s not needed, at least not as the first sentence. Far more important are the next three. The floor is flooded, it smells, and there are lights. THAT’S what the party is looking to know right off the bat, and therefore what the DM needs immediately. This is a great example because it’s easily understood and a terrible example because it IS just one sentence.

Transitioning though, to room seven as an example, yields more fruit. Paragraph one: you see light and here’s a bunch of mechanics. Paragraph two, there are are some big rocks in a circle and here’s some mechanics. Paragraph three, there’s three monsters in the room and here’s some mechanics. The DM needs to read three paragraphs in order to present the room to the party the first time. No. A well written room allow the DM to glance down and in half a second relate the room to the party.

There are a heavenly host of other issues. Treasure is abstracted away, destroying yet more wonder to the game. The history of rooms are in their descriptions sometimes, providing nothing but padding.

Just another adventure by someone who doesn’t know how to write an adventure. I always applaud people’s effort to publish, I just wish they took more time to understand how to do it instead of leaving it to the rest of us to pick up the $2 bag.

This is $2 at DMSGuild. The preview is six pages and shows you the first ten or so rooms. That’s a good preview, doing what a preview should do, letting you know in advance of what you are buying. Check out Floor one and room seven for the examples I provided of misorganized text.

• By Keith Salamunia
• Pinupsbyindi
• OSR
• Levels 1-5

… the adventurers are hired by a mysterious benefactor to aquire parts in a remote region, that ultimately leads to a seige to hold off an army of the undead.

Well, this is a thing.

This 24 page adventure contains a series of nine related one page dungeons. You collect some objects for your patron, and then defending a city from an undead army. The dungeons are linear and not written very well, but the art is nice. That makes sense because I’m pretty sure the designer is an artist.Any, the entre things is handwritten so … art was placed over usability.

Rule 1: It’s gotta be usable at the table. The font used in this is either a handwriting font or its actually handwritten. Either way, usability suffers. If I have to fight the text to get the adventure out then, well, I’m not gonna fight the text, I’m going to move on to something else. I get it. Artist. The One Page contests are full of artists. Cartographers are, on rpggeek, classified as artists. Great! Form + Function, right? (or so says Helmut, the proprietor of the Form+Function furniture store where I shop) Except when it doesn’t work, and it doesn’t work here. Hero needs to remember to keep his head down and designers need to remember that legibility is important.

The maps are linear with about six to eight rooms each. Do I need to explain why linear maps are bad? It doesn’t since the entire adventure is linear. Do adventure one. Then two. Then three. Keep going. No freedom. No original thought. For your convenience, consumption has been standardized.

The writing is the usual stream of consciousness stuff that one expects from the majority of products, with little thought given to organization or editing. Focusing in on the first dungeon, we get such gems as: “Family crypt full of coffins. When door is open Zombies will arise. If they are defeated a modest amount of treasure is in the coffins.” Note the multiple if/then statements. The back of my noggy noggy brain (all gone for beer and tobacco) is working on a theory that this and the linear nature or the dungeons and adventure as a whole is related to the same thing. A must happen before B. That is how adventures work, right? That shows up in map, the adventure plot, and the motivation for zombies and quantum nature of their treasure. I put three things to you, gentle reader. First, the quantum shit annoys me. Second, it is related to the original sin of linear plots. Third, it is sloppy writing that pads out the descriptions with filler words, clogging it up like an Elvis colon full of fried peanut butter and barbiturates. There IS treasure in the coffins. The zombies animate when the coffins are fucked with. The world exists outside the actions of the party.

Room four, in the same dungeon, is … something? “After unlocking The door ‘n, playas find an old coatroom.” First, quantum and padded again. Second, WHAT?!?! Playas? ‘N? WTF is that shit. It does continue with with one of the better room descriptions: A couple of old coats hang on hooks, the wallpaper is peeling, and everything smells damp. Tree roots are growing through the raimenents(? sp?) of the destroyed bathrooms. I don’t know why bathrooms are related to coat closets, but, whatever.

Room eleven tells us that a guard chamber contains old beds for warriors. Two ghouls still guard the room even in death. Nothing usable is in the room, except for a small bag of coin under the bed. So … the first clause is irrelevant, just say there’s a bag of coin under the bed. Again, padded, and another example of a writing style that is loose and not thought out or edited.  

The final room has the ghost of Lady Eris, a spellbook, a ruined philosopher’s stone, and a Deck of Many Things. A) NICE FUCKING JOB! Decks are wonderful and more designers should put fucked up magic items in adventures, no matter the level. The Deck represents everything wonderful about D&D. Free Will, good and bad effects, pushing your luck. Second, the goal of the adventure is to retrieve the Heart of Eris. I thought it was a gem, but I can find no reference to it, except in art which shows a red rock. I guess, though, it’s the heart of the ghost? Not clear. And Not Clear is Not Good Design.

The other dungeons are similar, and range from actual dungeoncrawls, like a tomb, to a wilderness, town, or castle defense section.

You got your art in my peanut butter. Normally I wouldn’t care, but, in this case, the test sucks. Mostly not particularly evocative, illegible, and unclear.

This is Pay What You Want at DriveThru with a suggested price of $1. The preview is six pages. It shows the art style, and page four show you the first dungeon (which is why I concentrated on it in my review.) It’s representative of the dungeons, but, again, there are more event-drive “one pagers” as well.

by Andy Law, Dave Allen, Ben Scerri
Cubicle 7
WFRP
Beginning Players

Legends claim the Beast of Ortschlamm stalked the marshes near Ubersreik for centuries. But few believe it… When the adventurers agree to help Rutger Reuter, a charismatic, young merchant from Ubersreik, little do they realise what’s in store. What starts as a simple job guarding building supplies, soon turns to tragedy, horror, and murder. The Characters will not only need their wits about them to negotiate the double-dealing camp of Reuter and his business partners, but also the Beast they have unwittingly stirred…

This 28 page introductory adventure has the party as camp guards during a mill construction. A couple of good design ideas do nothing for an adventure that is meant to be read instead of played. Even among bloat/obfuscation adventures this one ranks high.

You start on a river barge and meet the dude that hired you. The barge overturns and a giant fish attacks. You go to a construction camp, meet the two other co-partners in the venture, and are asked to dig up some standing stones. The dude turns up dead and you’re tasked with following monster tracks in to the swamp. There you meet three villagers who killed the dude & faked a monster attack … being attacked by a real basilisk. Coming back to camp one of the co-partners has stolen the paybox and the other was behind hiring the crooked villagers to kill the dude. IE: two fights and a little roleplay.

This is published in the Warhammer Fantasy Roleplaying Product Identity Style. Which means a shitty font that’s too small and lots of italics for read-aloud. I can do without the font with legibility issues, the tony font, and the italics. All three make you feel like you are fighting the adventure to pull content out of it.

This is exacerbated by the FUCKING AWFUL organization of the text. Long paragraphs with details buried in them and seemingly endless number of them. It is CLEARLY laid out to be read and not to be used at the table. Bullets, whitespace, headers, organization, things to draw the DM’s attention to them while scanning … all are missing. It’s just one big text blob.

The NPC are organized like shit, two pages for the opening scene with your new employer, the co=partners mixed in later in their own shitty long text paragraphs. It is, essentially, a linear adventure with a couple of roleplay scenes separated by a couple of combat scenes. I don’t find that format particularly compelling and wish it would have taken a more open ended approach

It does do a decent job of presenting some dialog in the NPC’s voices, although better NOC formatting would have made this much more additive to their personalities.

It also does something pretty interesting with a skill check to find some treasure. An astounding success gets you the treasure. All other successes get you the treasure also, but with increasing difficulties. This ranges from rumors around the camp, or a pickpocket, or your employer showing up and watching you like a hawk. Turning the roll in to an opportunity to roleplay and add roleplay complications is quite good design.

It’s too bad this is so shittily organized/written to be read instead of played. The double/triple cross stuff with the partners is interesting, as is the digging up of the standing stone and some of the roleplay possibilities with the workers, the swamp villager crooks, etc. While a small and simple adventure those elements really elevate it. It’s just SOOOOO hard to wade through the text. At this point the product identity is just mimicking shitty cost-based choices form the 80’s and is not a detriment to the line.

This is free on DriveThru. The preview is four pages. The last page is the best example of whats to come. The italics, wall of text, etc.https://www.drivethrurpg.com/product/259270/WFRP-Ubersreik-Adventures–If-Looks-Could-Kill?affiliate_id=1892600

Stephen J Grodzicki
Pickpocket Press
Low Fantasy Gaming
Level 3?

This fifteen page adventure has an eighteen room ruined temple inhabited by frogmen. With the bulk of the adventure in six pages, it manages relatively focused room descriptions while making some decent stabs at evocative writing. But good wanderer actions can’t save an also ran in the frog man adventure arena.

Challenge of the Frog Idol and Tower of the Were-Toads weigh heavy in this review, alas. Unfair to compare! Unfair to compare! Yes, life IS unfair.

Some dude wants you to go with him so he can collect artifacts at a abandoned elf temple. Not exactly an archeologist, it’s more of a “elves are extinct and I’ve got a thing for them” than it is the academic archeology of so many adventures. Any way, the old temple is partially flooded and has some frog men living in it. The history, background, and hook all come in a single page that gets in and out quickly and is fairly forgettable and ignorable for folks just wanting some frog men in an old elven temple.

There’s a good action-oriented vibe to the various encounters. This ranges from the wilderness encounters, to the wanderers in the temple to the actual rooms. A snake looks for food, frog men play in the water splashing, or giant eagles land in trees engaged in a mating ritual. It’s enough to get the DM going to create something, which is what they should be doing.

The descriptions are going just a little extra also. A forest is ancient and lush, with trunks as broad as houses and an intricate canopy obscuring direct sunlight. Snakes try to drown their prey, stirge swarms buzz, frogmen playfully leap out of the water, a mirror is stained and spotted with mold while objects gleam in a clearing. Nothing if “big” or “large” or “red” or “huge.” Note the use of intricate, or laping, or buzzing, or other more descriptive word choices. There’s an attempt to paint a picture and that’s the kind of value add that I think adventures should provide.

That said, it’s still not the most evocative writing. There’s a … layering? Missing. Rooms feeding off of each other to layer up a vibe. Yeah, the frogmen flooded rooms are next to each other, but it doesn’t feel like the whole is more than the sum of the parts, as far as evocative writing goes.

It’s also the case that the designer cuts a few corners. That gleaming from the wooded clearing (a clearing full of foreboding, good writing in that) isn’t described. And laughing coming from a hollow in the tree is not either. I get it, the designer is allowing room for the DM to expand further and riff of of unexpected things. I’m not sure how I feel about this. I’ve bitched so long and so hard in thousands of reviews about the lack of value add that when I see someone TRYING to do something it still sets me off. Anyway, it probably deserves a pass.

What doesn’t deserve a pass is room nine, and I want to use this to illustrate a larger point. There’s this HUGE partially flooded cavern. If you drew two lines across it to divide it in to thirds you’d have rooms seven and eight and nine. Seven and eight are the entrance and middle and nine of the back third, up above water. Nine has an frog god idol on it. And a torch illuminates it. But no mention of that is made in roos seven or eight. So you get to nine and suddenly there’s this eerie torch illuminating an idol. LAME. LAME LAME LAME! Think of the effect, in entering room seven, of the DM noting the flickering light in the distance, and then it becoming more distinct, the frog idol, etc. There’s a kind of lack of “big open area” awareness in this, and this is not the first adventure to ignore it. A bonfire on the roof of an abandoned castle, or eerie lights in one corner of a graveyard … designers don’t seem to take a look at the map and note sounds, lights, or monsters drawn in from other areas. That’s too bad, seeing something in the distance can be both a good motivator to get the party going and a good way to get them focused on something so they ignore something else. 🙂

There’’s some good magic items, nice and unique, and some poorly thought out org choices, like putting monster stats before room one instead of at the end. I should think that would make it harder to locate the stats during play?

Anyway, bullywugs, errr, frog men,  riding dragonflies are cool, but things are a little too … staid for me, where frog men are concerned, especially considering what Challenge and Were-Toads did with them. This is a decent adventure, it’s just not a GREAT adventure. And I can’t tell you what a pain it is to live like me every day, with standards that high.

This is $1 at DriveThru. The preview is only two pages long and only really shows you the one page of background/hook. A page of room descriptions would have been nice, to give people a good idea of what they are getting. Also,how about trying to put a level in the DriveThru description?

By Jeff Dee
UNIGames
AD&D
Level 1-3

What strange being has taken up residence in the long-ruined swamp-circled castle, and what is its connection to the increase of Orc raids in the region?

This eleven page adventure uses three pages, plus map, to detail a small seventeen room underground dungeon. The descriptions tend to the vanilla+ side of the spectrum, with things little too journeyman for me.

It is always with some trepidation that I review things by folks from the early days. It has been my general impression that they tend to copy their earlier styles, for better or worse. The nostalgia that clouds our memories, combined with the many uplifts in formatting and presentation, can lead to, uh, misaligned expectations. Jeff’s sins are not as major as some of his peers.

There is an odd division here between vanilla and what “cess-pit of the bog mother” would imply. Imagine in your mind those scenes from Aliens that depicted the slime tunnels at the bottom of the complex, full of victims, etc. If you had seen the movie and heard me describe it to someone as “alien slime tunnels” would you be disappointed with my description? The content of this adventure has potential but the writing is weak.

Muddy, tree roots from the ceiling, pools of water, trails of slime … these are some of the elements of the adventure. But it comes across in the writing as: “This is an empty, muddy earthen cave. There are several pools of muddy water on the floor. Roots dangle down from the ceiling.” Okkkkkk…. So, yes, that’s all true. But it is much more fact based than impression based, I might say. It certainly doesn’t overstay its welcome, but it’s also not particularly evocative. When I say vanilla+, it’s what I’m referring to. The writing is generally solid, but not very interesting.

I might also cite a couple of editing issues. Note how that room description beings. “This is an …” A LOT of ofthe room descriptions begin that way. It’s pointing your finger at someone and naming it, instead of using it as some kind of implied potential energy. There’s a lot of “appears to be” and other little “weasel words” that steal the energy from the text and the writing.

Room six, in particular, has issues. This is the big baddies room. Almost a page long, the description is all over the place. I’ve talked about this before, but ONE of the better ways to write a room description is to start with a very general overview of what the players see/experience when they enter the room. That’s the very first thing the DM is going to need when running the room, so by putting it as the first thing in the description you give a nice little overvview for the DM. While the players are reacting to that First Post, the DM can be glanceing down at the follow-on details, perhaps organized with whitespace/paragraph, etc, around the major room elements. But in this room its all over place. You have to read the entire thing to get a sense of what is going on and then process it and then relate first impressions to the players. Uncool for a page long description. The adventures lack of bolding, or even much formatting beyond the paragraph break, is not a positive either. Again, a focus on helping the DM is missing.

There are other small things that set me off. The hag baddie creating healing stuff from a swamp herb … but its only usable if your evil. This is usually seen in the form of an artifact that is only usable by evil folks, but the entire “you can’t but they can” shit is lame. And then other weirdo things like a lack of tracks in the ruins above the dungeon etc. It’s just not very deep in a lot of places that are not specifically “slime monsters.”

The map, though, is fine for being a small one. Not really. It does a good job of showing detail in it and overloads the map with information for the DM. For a small map it’s pretty interesting with its features and loops, etc.

Is this BAD? No. Is it GOOD? No.

This is $2.50 at DriveThru. The preview is three pages. Only the last page gives you an idea of the writing, and that’s for the wilderness area. https://www.drivethrurpg.com/product/119609/JD1-CessPit-of-the-BogMother?affiliate_id=1892600