The Charmed Grotto

Posted on February 26, 2014 by Bryce Lynch

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By Dyson Logos
Freely Web Published
B/X
Levels 5-8

This is a small ten-ism room cave system under a hill near a village. It’s packed full of baddies, has more than a few interesting features, does treasure (mostly) right. It doesn’t quite have the weirdness or … puzzles? I would come to expect from an OD&D adventure. Because of this, I think, it feels like a much lower level adventure then it is. The high level is, primarily, because of one monster.

Dyson has created a little adventure around one of his maps. I’m so very frustrated with Dyson. Parts of what he does are very good, and I want to like them. But there’s never ENOUGH. A lot of his work ends up being very cramped or 2-houry. It’s like seeing only one small part of Water Lillies. There’s just a hint and taken out of context things are not as nice.

Near a small village is a grotto. In the grotto live some bad things. The party will go in to the grotto, kill the baddies and take their stuff. Dyson gets the party involved in three ways that all seem very natural and good. They could be attacked by bandits while camping/traveling, and track the bandits back to their lair. I like tracking things back to their lair and that fits in well with the moron bandits who live in the caves. Their’s also a hook involving the bandit leader. He escapes the caves and ends up in the inn in town, bloody and disheveled, talking about how something evil is in the caves, killing his men and making off with their loot … “thousands in plundered goods”, to quote Dyson. There’s a nice little moral setup that ends in gold and more morality. Hard to argue with that hook. The final is a kind of In Media Res. I imagine the villagers gathered around the hill that the grotto is on and the party coming up on them, kind of like wandering up on the scene of a little girl stuck in a well. Old Bill, the village “problem solver”, if you know what I mean, nought a rope this morning and went down in to the grotto. He’s not come back up.

Old Bill deserves a little more from me. Dyson does a good job of painting a picture of an NPC with Bill. A guy who has Skills, the party will recognize that, but what skills are never explicitly stated. He tosses dead animals down in to the grotto. He’s helped establish the town and drove off the goblins and bugbears that once raided it. Without anyone every coming out and saying it, or even the villagers knowing it, you get the vibe that Old Bill is the rock the community was built on. Kind of like having that Strider fellow always hanging around. Bill sees a problem and Bill solves the problem. Just the rumors and stories of this guy, with what few words Dyson uses, paint a memorable picture that the DM should be able to easily expand upon. Given the emphasis on the nearby village I suspect that a half-column of text describing it, or rather a few NPC’s in it, would have gone a long long way. In the absence of any village info ration we must instead be content with a quite good rumor table. Not the best I’ve seen but it does do a good job of giving the DM some flavorful ideas of things to weave in to conversation. And that, of course, is the goal of everything in a published adventure: to give the DM flavorful ideas to build upon.

Dyson does a good job on the map. He’s known for that and this is no exception. There are multiple ledges, pools, ladders, giant mushrooms, a river, doors, multiple entrances, a nice multi-level entry hall, same-level stairs, a hidden area, almost everything on could want from a map. But it’s too small. It seems cramped. The entire thing fits in about half a page. It’s great half-page but all most Logos maps, it leaves you wanting more … but in a frustrated way. He’s also left the scale off the thing. I don’t need a graph grid underneath but a reference to the size of the main hall would have been a nice addition to give a good idea of the scape & scale of the place. He accompanies the small map with a rather aggressive wanderers table, with 1in6 every 10 minutes. It’s nothing more than the monsters to be found in the place, and while it’s not explicitly stated I did get the vibe they were to just attack outright.

The main/entry room is the most interesting. The entrance is through a hole in the ceiling, some 50 feet up. There are multiple LARGE terraces in the room, each of which serves as a launching point in to one areas of the adventure: bandits, bugbears, or undead. Each section has a small handful of rooms, three or four. Ladders go up to ledges, ghouls lurk in pools of water, and monsters are stuffed in to rooms. Most of the creature rooms are not hat interesting, just a lair room with humanoids in it. That’s a bit disappointing. Some additional notes or items in the room could kick off a more interesting encounter. The non-humanoid rooms tend to be a bit more interesting. Undead under a pool of water, for example. Or a weird statue covered in cobwebs. But there tends to be nothing more to anything in the rooms. The statue is just a statue. Maybe it’s meant to be leverage on the bugbears that also dwell in the caves, but the bugbears are set up (charmed) so that is very unlikely. Likewise one room has a bunch of giant spiders drained of blood. A clue to those who look but ultimately a rather simple room.

The main monsters, some vampire toad-people, are interesting enough, especially in this environment and especially if, as Logos mentions, the players don’t figure out they are vampires. The rest of the monsters are just straight out the book though. I’m sure the level recommendation comes from the vampires. There are a lot of bugbears and bandits but I guess I don’t see much of a challenge here for a 5th-8th level group. The mundane treasure is hit or miss, with some good descriptions on some of it and a very bad “assorted jewelry worth 11,900gp” in another part. The magic items are quite poor. +1 shield. +2 chain. The best is a snake staff that turns in to a snake to constrict people. Having a couple of the items used by the vampire toads was a nice touch, but ultimately the magic items are flavorless instead of being the items of mystery and wonder that they should be.

Toning down the toad vampires a bit, and making the magic items interesting would give you an adventure for, say, 3rd-5th level play. Lots of humanoids to deal with but probably manageable. I really want to like this one. It’s walking a line though, and is on the other side for me. I have exceptionally high standards though, so maybe its good for you. It’s free though, so why not check it out?

Posted in Level 5, No Regerts, Reviews | 3 Comments

The Hidden Tomb of Slaggoth the Necromancer

Posted on February 24, 2014 by Bryce Lynch

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By Adrian Stone & Nick Whelan
Self published
System Neutral
Low Levels

Mentioning the name of Slaggoth the Necromancer was once met with hastily gestured holy signs and murmurs of fear. The dead things which crawled and slithered from Slaggoth’s hidden tower were ravenous and evil. In the two centuries since the necromancer’s body was entombed deep within a mountain cave, the name has lost some of its gravitas. Young adventurers, unperturbed by ancient tales of long past evil, now think Slaggoth’s tomb ripe for plunder. But Slaggoth does not rest alone. A trio of ogres and their hoard of goblin minions have settled in the caverns. They are deserters from a great army in a faraway land, and are determined to keep the freedom they risked their lives to gain. Any who enter the cavern will be sliced and stabbed, their meat hung on hooks to dry, and their bones fed to the wolves.
This is an interesting little system neutral supplement. It describes the 24 rooms that make up a small humanoid lair inside an old necromancer tomb. The system neutral nature of the design allows the adventure to concentrate on the interesting portions without getting bogged down in rules. I think it succeeds much more than most adventure supplements, and I’d be happy if this adventure represented the quality baseline of OSR fantasy.

It’s got a good bit of introductory text. The whole “deserters from an army” bit brings a context to the creatures that isn’t usually present and adds a whole host of roleplaying opportunities. Just that one little bit of text adds an enormous amount to each and every room entry in the dungeon that has the humanoids in it. The hooks are an interesting mix of lame and interesting. Two are pretty lame: the guard wants you to kill the humanoid bandits and are too afraid to do it themselves, and someone hires you to get and bring back a book/ring/skull/etc. The usual lame assort meant of “lets be a hero” and “someone hired us.” The second two are a bit more interesting though. A fire giant named Blazebear, lieutenant to Warlord Gorgin, is paying handsomely for proof of the deserters death. Hmmm, that’s something you don’t see every day, and it brings a certain ambiguity and … realism? To the murder hobo genre. The last hook has the party going in to find one of the lost consorts to Slaggoth; it seems she may have had her favorite toys frozen. These last two are the more interesting, I think, however the variety here is nice to see also. You can be a hero, be greedy, work an arbitrary line in the moral sand, or appeal to sentimentality. The best hooks appeal to players and, surely, there must be one in there to appeal to YOUR group of players.

The actual dungeon is more of a linear path through a cave with an offshoot here or there. There is some decent variety added to the map through stairs up and down, a tunnel running under another, and a chasm with rope bridge over it, complete with ledges for the humanoids to chuck shit at you. Pools, pits, doors, and a dais round out the map. This is, essentially, a linear map, but I think there is enough variety in the placement of the dead-end branches for the place to feel like a real cave and lessen the impact a linear map usually has. Linear forces choices on players that a more open design would not require. It also forces on to suspend disbelief a bit more. There’s a bear, relatively deep in, that has remained in hibernation A LONG time through a LOT of activity. I don’t know much about bear hibernation, but things are being stretched a bit, IMO.

The actual encounters are an interesting mix. The humanoids encounters tend toward the tactical side of things while there’s still decent mix of weird and unusual mixed in to the other rooms. For example, there are some goblins watching the entrance through a crack, that release wolves should anyone drop by for a visit. Similarly, there is a rope bridge with goblins on a ledge on the other side that fire on players. Both of these, and in particular the rope bridge, will need to be passed if the group if to continue. There’s nothing exactly wrong with either of these, but they do provide good examples of the problems with a linear map. Recall The 13th Warrior and the way they avoided guards? Variety in the map allows for variety in play, zany schemes, and much fun. The humanoids use the cave, the hibernating bear, an ol d battle-scarred spider, and others things to exploit and co-exist. Little bits have extra data and background in the ad-hoc sidebars. There are of varying usefulness. The old spider gets a nice little write-up, short but very interesting, in a sidebar. In play, however, its not clear how much this would add. There’s a silver axe blade stuck in its back as extra loot, which is a nice touch, but the whole ‘its smarter than most spiders” thing, which is the REALLY interesting part, doesn’t really appear to be able to be used very well given the context in which its encounters You can give your goblin sentry all the backstory and personality in the world, but it doesn’t matter if you then say “it attacks immediately!”

The room descriptions are nice though; each one has nicely short and yet evocative bit of text associated with it. It’s not hard at all to imagine the room and that’s the key to being able to deliver something interesting to the players. The hibernating bear is surrounded by fish bones and scraps of half-eaten food. Bones with marks of battle on them … and a silver ring with polished jade on one dismembered finger. Caverns with the stalactites and stalagmites broken off to make extra room. There are great puzzle rooms and weird effects, like a room full of mirrors with interesting things being seen in them. In terms of treasure there’s this little tid bit to serve as an example: The third chest contains 1000 silver pieces, and a bejeweled skull which will whisper the secrets of necromancy into the ears of a magic user, granting them a bonus on any attempt to research a necromancy spell. That’s pretty cool! Most of the magical treasure seems to be the same unique vein, while the mundane treasure has just enough description to be interesting; the silver & jade ring above being a good example.

This entire thing feels like a good old dungeon crawl, with a great mix of traps, treasure, monsters, and weird stuff. Except for some pixel-bitching about a [somewhat] linear map, I think it does an excellent job. I look forward to seeing more like this. But …
I’d like to believe there is a strong market for this sort of thing. I’m sure I’m wrong and would be depressed to learn that most players don’t look for supplements outside of their particular niche of rules. Just the meta-think makes me depressed. I’m need to go stare at that last illo in the 1E DMG.

Posted in Level 1, Reviews, The Best | 3 Comments

Dungeon Magazine #25

Posted on February 22, 2014 by Bryce Lynch

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The Standing Stones of Sundown
By Paul May
AD&D
Levels 3 OR 9

This is a brief village investigation followed by a set-piece combat in the village. The village has some standing stones in the middle and a chalk design on the hill. Two of the stones have gone missing and the village mage has turned up dead. Weird, eh? The party pokes around the village, finds the mages journal that reveals he turned the stones back to flesh, then find the mages ring that he did it with. A holy day comes around and a vrock attacks to get at the sacred chalice from the church. So … nothing you do makes any difference because the vrock will attack, out of nowhere, on the holy day. Oh, you can go dig around in some journals (oh boy! Story exposition via journal!), and you can kill a zombie and bring the rest of the stone circle back to life. But you won’t learn what’s going on and none of it will help or predict what it coming. Thirteen pages for that seems a bit much. And there’s virtually no detail for the village or the people in it. The whole “standing stone are actually flesh-to-stone shamans from a FAR earlier age” thing is nice. And when you bring them back they die in interesting way because of the erosion the stones saw. Most of what you need to know about this adventure comes from the following, near the beginning of the adventure: if good-aligned PC’s decline to go to the church then the DM should give each a diety-sent affliction, like a boil on the nose, as a warning. The adventure is further burdened with a terrific need to explain everything and there is a great deal of effort put in to keeping the party in the dark. Speak with dead requiring tongues, farm boys who have not seen their employers, dead mages who never saw their attackers … it’s all a set up to no purpose.

Hellfire Hostages
By Allen Varney
Marvel Super Heroes

I’m not really qualified to review a MSH adventure; I loathe the superhero genre. I think this has terrorists taking over a club for rich people, who are actually all evil super villains. Uh … that is all. [Insert amusing story about The Great Man Alive, a Champions character with the disadvantage “Dead”.]

Of Kings Unknown
By Randy Maxwell
AD&D
Levels 2-4

This is a ten-room lair/tomb full of moon orcs. Those are normal orcs who eat moon melons and have some random benefits. So. Orcs. It literally takes a column of text to tell you five entries on a table for random INT. -4. -2. Normal. +2. +4. So … padded to hell and back. I know, right? Padding in Dungeon Magazine! The lair/tomb is pretty small, at ten rooms, and the layout is a simple branching one. The first five rooms fit on one page, along with the map. The mutant orcs are a nice concept but poorly implemented; clumsy with too much text that looses the A W E S O M E they could be. Hell, mutant anything is cool. [Uh … Everyone knows that Gamma World is my One True Love, right?] The dungeon sucks. The first room is nice trapped door/murder hole guardroom set up thing. The adventure notes a few reinforcements when the shit hits the fan, but not much beyond that and nothing about the leadership jointing the frat. The leadership is disappointing as well. They get names, and individual lair rooms, and have some semblance of personality. There will, however, be no chance to interact with them and so all that they ever were or will be is lost in an instant. It’s a hell of a thing, killing an ma^h^h orc. Oh yeah, and it’s more fun to talk to someone and THEN kill them then it is to just hack them down.

One of the greatest examples in all Christendom of bad room writing is contained herein. It’s not platonic, but pretty damn close. I leave you with it, as an example of the joy you can find herein: “4. Trophy Room. This room once contained trophies of war. Swords, spears, and armor of all kinds were dedicated here to the everlasting glory of the fallen orc leaders. Centuries ago, the walls were draped with elven banners, dwarves sigils, gnome heraldry, and the flags and standards of men, goblins, and various orc tribes. The moonorc leaders have stripped the room of anything useful in order to outfit the tribe. The weapons and armor were quickly divided among the warriors, while the flags and banners were torn down and used for blankets or ripped apart and resewn into bags, sacks, and clothing. The room now contains only refuse and rusty, unusable equipment.”

Hrothgar’s Resing Place
By Stephen J. Smith
D&D
Levels 4-7

This is a small eleven room two-level cave complex. It feels more realistic than a lot of caves, probably because of the nooks, crannies, and major ledge. It’s a little bizarre. There’s about a page of introductory background text/journal for the players to find. There’s a regional map that doesn’t come in to play at all except to locate the adventure in The Known World … but there’s nothing special about the location and no wilderness adventure. The adventure is launched in to almost immediately (at least by Dungeon Magazine standards) and ends up being a tight little affair. The Wanderers table is nothing special (“they attack immediately!”) but the caveman, proper, is interesting. It’s got a couple of loops and seems more like a realistic cave. The way from the upper level to the lower is a huge chasm. There are ledges, nooks, and crannies. I really like cave adventurers that feel like caves and this one, while not Stonesky, gets close enough to satisfy. Inside is a motley assortment of creatures, from trolls to harpies, to giant worms. A spider attacks, lowering itself on silk, while climbing down a ledge. Harpies and trolls don’t like each other (more could have been done with that.) The adventure is nice little one, and includes a non-standard magic sword and some treasure that you can repair to make it worth even more! Reviewing Dungeon Magazine is not a pleasant affair, but this is a little ray of hope in the darkness. So much so that I went back to rpggeek to see what else the author had written. This isn’t OD&D, but more like some kind of … Harn-like environment. Quiet, primitive, tight. I wouldn’t have a problem running it. It even has some cave toads with paralyzing eyes!

A Rose for Talakara
By Wolgang Baur & Steve Kurtz
AD&D
Levels 8-12

Danger! Poser Alert! Danger! Poser Alert! Hmmm,ok, maybe not poser. See that cover, with the black knight holding the black rose? Yeah, you know what means: Someone read Ravenloft. In this case it’s Wolfgang Bauer. Checking his publishing history, we can see these early Dungeon adventures appear to be his first published items. This adventure is some kind of mash-up of Ravenloft and LOTR. Bob, Witch-Kingof Angmar, is under the control of Sue, Dark Lord of Evil. She’s got his magic circlet and he’s tired of being alive. He lures some adventurers to her evil volcano-land Dol Gulder and hopes they pop her ass so he can finally be free. And he’s a gardener because it brings some respite to his tired soul. [As a totally coincidental aside: does anyone know what the official emoticon is for “puking ones guts up?”] Oh, wait, wait! I gets better! The tagline for this adventure is “Red for Love, white for purity, black for death.” I wanted to blame Vampire for this, but it looks like it came out a year later. This is a hack-fest in a monster-filled fortress of Sue.

The first two or three pages are the setup. Lot’s of tortured souls, murdered high priests, black roses left as calling card, mysterious notes “My master bids you join him at his home” blah blah blah. Evil bad guy taunts players. Hang on, let me quote … “His imprisoned soul known only restlessness and torment.” The whole backstory hook involves a complicated timeline and special magical items and blah blah blah blah. The usual set up nonsense. The group is paid $10k each to go find the killer of the high priest. Lots of clues are left for the party, since the poor poor tortured soul wants the party to find him. There’s four or five wilderness encounters on the way to Mordor, at least two of which are totally bizarre, but not in a good way. The first is with a band of fire giants. Each has a name and a personality that goes on for quite some word count. They attack immediately and no doubt die ignominious deaths at the hands of 8th-12th level PC’s. Why pay all this detail to creatures which die immediately in 10 minutes of pure combat? And yes, later on in the fortress, the party encounter 8 elf prisoners who get NO detail at all, in spite of the fact they are eager to join the party and wipe out the evil menace. WTF?! The party also meets Radagast in the wilderness. This encounter takes a full page. The druid tells the party … well, nothing at all. The designer has spent a full page on a meaningless encounter. There’s also a decent, and deadly, encounter with Salamanders in a lava river. They grab people and dive under the lava. Ouch! But nice!

Dol Guldur gets a pretty extensive write up, with about 70 encounters. Gatehouse, courtyard, keep, it’s all there. It’s also some kind of monster circus. There’s a medusa in the garden, harpies in the towers, skeletons at the gates, shambling mound gardeners, fire elementals for hot & cold running water (ug!) The place has a decently interesting castle layout that reminds me of MERP products and the monster circus isn’t any worse than I6. There is the usual nonsense with room descriptions, like the paragraph that describes the history of a pool of dried blood. Yes, an entire paragraph to tell us that a pool of loos on the battlements is from where some skeletons shot an escaping priest. No body. Not fresh. Just some dried blood. The Witch King “tests” the pc’s, of course, by sending bad guys against them, and arranges to lead them to Sue. There’s also a whole complicated “wizard locked doors and gem keys” thing, which smacks of magical economy. Oh, and of course Sue has cast a bunch of wishes so passwall, teleport, etc don’t work inside her fortress. IE: the designer was too lazy to come up with an adequate adventure and/or scale the adventure to a level appropriate to passwall/teleport.

The place isn’t terrible, but it’s not all that interesting either. Kind of like a Ravenloft-light. An attempt at Realism that gets mired in some kind of jr. high Vampire the Masquerade nonsense. Sad face is Sad. 🙁

Posted in Dungeon Magazine, Reviews | 11 Comments

They Came from the Stars

Posted on February 19, 2014 by Bryce Lynch

By Simon Forster
“and the sky full of dust” blog
OD&D
Levels 1-3

This little adventure is a brief village/countryside investigation and exploration of a small spaceship. It’s got a strong OD&D feel, is very lightweight, provides some decent imagery, and, all in all, is a nice little outline to running an adventure.

Villagers are disappearing. Green monsters have been seen in the area. Please, won’t anyone help! This is a cute little D&D adventure with a strong OD&D vibe. Aliens have landed and are abducting villagers, mutilating cattle, doing weird experiments, and generally being a pain. The villagers are terrified of the Greenies and are looking for help. There are some hooks provided that are generally not very good. The local baron hiring someone to deal with it (why aren’t you dealing with it yourself?), a friend disappearing (which is why all PC’s, and everyone I know, make have no family or friends, so they can’t be used as leverage against us) or Arnold the pathetic and obviously desperate and scared looking for help. Of these Arnold is the best, mostly because of that brief description of Arnold. It begs the question of why Baron Jackass isn’t doing his job. But since that’s ALWAYS overlooked in adventure design we’ll overlook it here also. The rumor table is very generic and uninteresting. People have been going missing, the Greenies are evil clerics, cows have been mount with holes in them and drained of blood. It’s all presented in a rather fact based style. That table could have been great with a little local colour added to it.

The village of Appleby is described on two pages. There’s not much here but what there is has been done with a lot of good things to riff off of. You get a very nice picture painted of a village in terror. The constable is locked in his office, slowing dying because he is too terrified to leave after an encounter with the Greenies. The locals gather in the church at night to pray and for defense. The fields are full of mutilated cows, some farms lie abandoned with signs of blood, violence, and a smokey stench in the air. There’s not really any villagers described well, except the constable. There’s a throw-away mention of a barkeep and the priest but there’s not enough there to really bring them to life. A little more there, and a couple of farmers, would have helped this section a lot. The place still gets a very desperate and scared vibe associated with it, so overall I’d say the designer does a pretty decent of setting the village mood.

The surrounding countryside gets a nice little write-up also. There are four or five little places scattered around to visit, in addition to the spaceship. A hermit in the midst of a religious revival because of the aliens, some bandits who have been devastated from alien abductions, a barrow, and some escaped slaves of the aliens. The scale here is 1 hex equals 2 miles. While the Hermit is on a path the others are in the countryside. They need some sort of connection, or leads, I think. Drop a couple of hints in the village, or put some clues about the bandits in the hermit and the slaves form the bandits, and so on. I like the individual encounters. The hermit is a unique guy, the bandits get a little write up, as do the slaves. In the case of the bandits and slaves you get a good overall vibe without any description of the individuals. Like the village the overall mood is communicated well but you don’t really get told that Boris the bandit is protective of his brother bob and worried because he was taken. A little more would have perhaps would have triggered some hireling/ally stuff, but then again I think the current write-up is pretty close to the line. I certainly came up with that and I suspect other DM’s would have as well, so perhaps there’s no need to mention or imply that. The slaves proper are mutilated with machine parts grafted on. A couple of more sentences about that would have gone a long way. The final area is the protective dome that surrounds the area around the ship. This is a pretty nice little area with an abandoned mine running under things, a radiation disposal pit, a crab tank to play with, animal pens to screw around with, and the spaceship proper crudely buried under a hill. The entire area is quite nice, each site just getting a sentence or two write up but the entire place working together to provide a nice little scene to explore. It’s just over he edge of being useful in terms of detail and length. Any less and it would be generic. More would add to things, but probably be unnecessary. Just enough to riff on and add your own flavor to. I like it.

The spaceship is tersely described. The aliens carry death ray guns (which are effectively magic missile wands) and force fields (belts of the Shield spell) and things like that. That’s very nice. I like the idiosyncratic nature and yet the way in which it makes sense. Most of the ships rooms have something weird and interesting on, from green good pools to glass tubes to half-machine people to large glass cylinders full of goo. The only negative may be a disconnect in how the Greenies react. There’s no real notes on an organized defense, and yet its pretty much stated that the captain is monitoring every room via the monitors all the time. That’s a gap to be filled.The adventure ends up with a nice little wandering monster table that covers four different areas (village, county, dome, ship) with six results each, each with enough detail to run it well. A wounded cow wandering alone. Slaves looking for new subjects. Bandits returning home with a dead deer. Escaped villager, fleeing. Greenie patrolling. Enough to run a nice little encounter.

This thing isn’t going to win any awards but it is a nice solid little OD&D vibe adventure. It’s what you WANT to find when you download an adventure off the Internet. It’s not professional. It’s not long. It’s a bit clunky in places. But it’s solid.

Posted in Level 1, No Regerts, Reviews | 7 Comments

Three Sad Wizards

Posted on February 17, 2014 by Bryce Lynch

3sad

 

By Jasper Polane
Weird Opera Blog
OSR
Levels 1-2

This is a little mini-region with a village, three main adventure sites, a number of wilderness opportunities, and some follow-up suggestions. The intent appears to be an adventure that could be used with all age groups. It largely succeeds with only a couple of exceptions, mainly around the village proper. The entire thing has a nice OD& vibe, with unique spells, OD&D idiosyncratic wizards, and different treasure.

In the local village teahouse three sad wizards commiserate. All of them are having troubles at home. The village is only briefly described as is one location: the teahouse. Both descriptions do the sites justice, from sleeping in barns to eating what’s prepared to the local hobby production of tea. In both cases the descriptions are just on the edge of what’s required, which is almost certainly the correct amount of detail. The village could use a few more personalities, especially since its mean be a kind of home-base sandbox location. The village section is the weakest part of the adventure and is the one portion where the “all ages” agenda is the most apparent. Things are a bit … polite? Serene? Vanilla? In the village. I’m not sure if its the teahouse, or the lack of other personalities, or what, but this section feels aimed at younger players more than any other. It’s only briefly mentioned, but the wizards appear to be in competition to get the party to look in to their problem first. The three wizards each get a brief write up. The descriptions are not very strong, but there is enough to build something from, especially if you’ve sen Radagast lately. Whats really missing here is the hook. Three wizards commiserating the the teahouse is not exactly the strongest of hooks. Yes, the PC’s will take the bait, but just because it apparent that is what they are supposed to do. It’s all a bit weak. I suspect it’s the all ages thing. While it’s easy for kids to play up’ it’s a lot harder for adults to ‘play down’ and that may be what’s going on here.

The three wizards each have a problem at their home and the three main adventure sites are their three homes. They specialize in plants, bugs, and birds, so the towers/homes are based around those themes. The three towers all feel like a bit different and have different things going on while still having the same general fairy-tale vibe. I suspect the adventure is written that way for the younger players, but the building of an adventure site and encounters without game mechanics in mind is also the kind of D&D I enjoy. It tends to be weirder and somehow more evocative of wonder and the fantastic. One tower is having trouble with the plants coming alive. One tower has an apprentice (9 years old) running wild, and one has an intelligent spider running the show now. In all three cases you get a decent little magical tower full of strange things and then the encounters. In two cases you may be able to resolve the situation with the core opponent without killing them. That’s a nice touch. The baseline adventure is not ‘kill everything’ but rather ‘resolve the situation’, and while there are a couple of suggestions given there is more than enough room for the party to improvise and do their own thing. That sort of open-ended nature is how EVERY adventure should resolve. The encounters are things like a gem glued to the bottom of a stool, or a pear tree with fruit that turns you pear shaped, or a scroll in a water tank. In other words, enough little details to make the adventure interesting and feel like a wizards tower without it being a full on gonzo experience.

The forest and road wandering monsters are not quite what I am looking for. There’s a little bit of charm present, from a pack of stray dogs to brat kids to an old peddler, but they tend to be missing that certain something that turns it from ‘just another encounter’ in to something interesting. The peddler needs a personality. The bandits need something other than the very simple ‘they could ambush/camp/robbery’ note. The surrounding wilderness has a number of places to follow up with, from giant anthills to ogre caves to boatmen camps to lost tombs. These are very briefly described and generally also lack that little something extra. The ogres have a locket with a picture of a little girl in it, but that’s about the extent of the personalization of the encounters. “The leader fights with a +1 sword” is not the height of adventure design. There is a great variety of new spells and several new/interesting magic items, from a new wand of wonder to a badger cloak. Several of the monsters felt new also, even if they did share the names of several well-worn ones.

This isn’t a bad little adventure packet. I’ll probably keep it, and may get a Lulu hardcopy when I order again. The encounters need additional evocative detail, but there’s enough here for it to just scrape by. This is almost certainly because of the simple fairy-tale like charm of the wizards towers proper, and the strength of at least two of them.

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Dungeon Magazine #24

Posted on February 15, 2014 by Bryce Lynch

d24
In the Dread of Night
By Ann Dupois
D&D
Level 1-3

This is a six-level wizards tower with a nice little village attached. Weird things are afoot in and around the village and they are convinced its the nearby wizard and his orc servants. But he let them in to look around and everything seemed ok to them. But shit keeps happening and now the village leaders have disappeared also. He is, of course, evil. The village here gets five or six pages. There’s a nice map that’s almost Harn-like (that’s a compliment.) The villagers each get a little description and some rumors they know, and in addition there are some general rumors and rumors that only children know. A lot of the villagers come off a bit bland, without much interesting character, in spite of the two or three paragraphs that describe the occupants of each hovel. The rumors are good though, and a couple of the hovels get some decent character descriptions that ARE brief and memorable. This could really use a table for the village occupants and what they know and their memorable traits. To do the village justice you need that sort of reference to help run it as they wander from place to place. The tower gets a nice little outdoor map showing a hill, outbuilding, and some wolf guards chained by the front door. I liked those details a lot. Not just a boring little entrance but “on a hill” and “wolves chained to the front door.” The interior of the tower has about thirty rooms over seven levels. The tower is a weird mix of too much magic and not enough weird. There are glow globes that light rooms and a trapped fire elemental and piping system for hot water, etc. I really don’t get in to that kind of a “magical economy” sort of setting. This is then combined with a lack of the weird. Dude is an evil sorcerer and his tower feels boring and generic. This might work in a Harn-like setting but room after room of generic contents (Pantry, bedroom, bathroom, storage room) isn’t the kind of Magic & Whimsy, Wonder & The Fantastic! That’s what I’m looking for. This isn’t that. There’s not really a coordinated defense of the tower, so it’s another “guards die in place”a adventure. It’s too bad. If you combined the village and plot with a nice weird tower you’d have something more interesting. As it is, it’s a low-magic adventure, at best, and that’s being generous.

A Hitch in Time
By Williw Walsh
AD&D
Levels 7-10

This is a ten room tomb with a gimmick: when you leave everything you picked up disappears and everything inside is reset to a state before you visited. There’s the usual nonsense about getting hired and vetted and blah blah blah to go on the mission. There’s also an attempt at a good wilderness wandering table. Each creature gets a little description of what its doing, but the action is generally a bit misplaced. The giant 2-headed trolls just attack outright, because they are hunting. We need a little more, like, they throw stuff from the top of a waterfall or jump out of a tree, or something. Just a little bit more. Likewise the other wilderness encounters try to add a bit of variety/description but don’t really hit the mark. The encounters need a bit more description to add some variety and imagination to them. The tomb is nothing more than the usual trap/stasis-monster fest. These sort of set-piece things may be my least-favorite kind of adventure. There’s a bit of weird stuff, like the statues that represent he stages of the buried sages life that have different effects on the party, but for the most part the place is static and relies far too much on magic mouths speaking command words that release status fields that house monsters. One or two of the descriptive bits are ok, like a box made of cured leather stretched over a wooden frame. That’s some decent detail. Even the parts that are supposed to be weird, like the lab where clay golems are made, complete with molds, are a bit on the dry side. It suffers from what I like to call “1E Syndrome.” This is where things make sense but are boring. Like magic mouths saying command words that release temporal status areas full of rust monsters. There’s no wonder and mystery in that. So, Tomb of Horrors light, with a little reset gimmick. As Aziz would say, not really my cup of tea, because I don’t like huge piece of shit in my tea. But maybe you’re in to this kind of gimmick/ToH stuff. You poor, poor, soul. You deserve better.

Thunder Under Needlespire
By James Jacobs
AD&D
Levels 8-12

This is an underdark adventure with a strong “talk to the evil monsters” element. Underground gnomes are being impacted by earthquakes. They saw some mind flayers recently and think they are behind it. The party is sent to resolve the situation. There are eight adventure locations in the Underdark, with three of them being multi-rooms complexes, two quite large. Alas, the adventure sucks. The gnome halls where you start out are extensively described, even though you’re just picking up a mission there and there’s pretty much zero chance that combat will break out. The other two larger locations are a mind flayer outpost and a mind flayer city, both of which probably will NOT result in the kind of combat that would require an extensive map. All three of these are clearly social encounters and yet they are described room by room, with an extensive number of rooms each, just like you were exploring a dungeon. The outpost could be be forgiven for this, since its first contact with the mind flayers, but the city is a death trap to attack. There’s just no reason for the descriptions. It’s like you were docking at a warf in a city to get a tax stamp from the harbormaster before moving on the same day, and the entire city was described, room by room. I suppose you could reuse it, but then again you can say that for ANYTHING. The idea is that you make contact with the outpost, they convince you to parley, take you to the mind flayer city where you find out they are NOT behind it, but a big earth elemental thing is, and they want you to go fix the situation. The wrench is the drow chick running around who wants the elemental to destabilize the region. But she’s just a combat encounter and doesn’t show up as a social element, city or not. The under dark wandering monster tables are lame and boring ad just consist of a monster listing. The exception is for the ‘special’ encounters. There are 6 of these, occurring 1 in 20, which have more detail and are more interesting. A drow war party, a Rakshasa, a haunt and a water naga, for example. There add a little variety but the description emphasis is on realism rather than how they enhance play with the party. IE: the naga hides and the party stabs it, rather than the naga is an information broker or has a fetch quest or the like. The mind flayers at the outpost gets names, but not personalities, while the ones at the city get personalities, but not names. This is spite of the fact that the party will interact with the outpost flayers much more, the city encounter being mostly soliloquy. The big encounter at the end with the giant earth elemental monster and dark elf agent could use a more set-piece nature. More environmental stuff, ropes to swing from, or something stuff like that. As is it’s just a big room with a monster at one end, the agent hiding, and some chasms. Rope bridges, stone ledges, rubble to jump off of, etc, would have made this a more memorable boss monster fight.

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Temple of the Ghoul

Posted on February 12, 2014 by Bryce Lynch

gh

by H. John Martin
Rended Press
OSRIC
Levels 1-2

Something has been pillaging farms and leaving no living thing behind. Merchants have disappeared on the roads and the Tinker now refuses to make his circuit. All of this trouble started when a party of adventurers went to investigate the old temple on the hill. Five adventurers went up the hill to Lilanora’s temple and never returned. Who will follow those foolhardy five and discover what danger lies beneath the temple ruins?

This is a small ruined temple with about twenty encounters. It has a bright spot or two, but is generally an unimaginative and generic adventure. Unfortunately, it reinforces the “boring/generic” feel that I associate with 1E. It needs more wonder and imagination.

People have started disappearing ever since a group or murder hobos visited a local ruined temple … and didn’t come back out. The adventure takes two pages to set the scene and cover the backstory. You remember Sir Not-appearing-in-this-movie? He shows up in at least two different forms in the adventure backstory. It’s crazy. All of that space wasted by being devoted to things that have absolutely no relevancy in the adventure. I don’t understand all of this backstory. Is it just sloppy editing, or designers with delusions of authorhood, or do people actually like this shit? There are NPC’s referenced, more than once, that are at least three degrees removed from the adventure. What’s so puzzling is that this is mixed in with some modern day data that’s not bad. A one-legged sheriff, the importance of a traveling tinker, and the sheriff escorting him. People disappearing and in fear. There’s some decent stuff there. Not great, but enough to get started with at least.

The interior of the temple is so frustrating. It’s full of generic drapings that is then punctuated with a bit of the ultra-violence. Or at least some scene-setting straight out of the ultra violence. The very first room has the usual ‘once rich frescoes not defaced”, along with the usual “blood and fecal smeared pillars.” Ho humm, nothing new or interesting there. But then … “A dead dog lies in the doorway, its entrails draped over the stairs.” Wo! Thats nice! That brings the scene to life. In another room an alter to good is draped with dead animals and people, and an overpowering smell. That’s good stuff. There’s a crude drawing of an evil holy symbol on the floor … which would be MUCH better if it were instead laid out in teeth and small twig figures. Again, the core problem with the adventure. We get a generic scene that is then punctuated with something great. I understand juxtaposition. (I mock it all the time in my art reviews) and you would be forgiven in thinking that the normal is there in order to hi-light the bizarre. But that’s not it. The normal isn’t normal enough and it’s not evocative or jarring enough. It’s just the standard boring dungeon trappings. The rooms need to be more relatable and the evidence of violence needs to be more consistent, as in the holy symbol example. The monsters are just generic book monsters and the treasure just boring old book magic items. +1 shield. Ring of Protection. And a lot of coin. A LOT of coin and loot. WAYYYYYY too much.

The most disappointing part may be the main villain, the titular ghoul. It’s just a ghoul. “The ghoul will be here and will attack as soon as the PC’s enter the room.” That’s the ghoul description. After the dead dog entrails, and the weird ass alter, all we get is “ghoul.” I reviewed an adventure recently, maybe from Dungeon, that had a ghoul in it. In that one it was a gaunt and emaciated hunched over african man, with red eyes and yellow filed teeth. Absolutely no sense at all for the party to figure out what it was. Perfect description for a DM to build an encounter off of and help them run it evocatively. Compare to this one. “Ghoul.” Or, go check out “Where the Fallen Jarls Sleep” and the rest of the modules in that series, where undead get GREAT descriptions. This? This is not trying. Yeah, the alter and dog are nice, but there’s not much else in this to salvage.

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Winter Fantasy 2014

Posted on February 11, 2014 by Bryce Lynch

A rare “non-review” post! One of my three-ish a year. 🙂

 

Fair Warning: I don’t follow this shit so I don’t know the background here, or even if this is all common knowledge.

I played in the actual “Sundering” event at Winter Fantasy. It turns out Mystra wasn’t TOTALLY dead. The second half of the BI had the players attacking Cyric’s prison and “Sundering” his throne, which, along with killing Cyric (the spellplague was caused by it leaking from his head) and some intervention by Lathander, has brought Mystra back. She did a new weave and “the worlds are moving apart again” whatever that means. And thus Living Forgotten Realms ends and the whole Spellplague and 4e madness (god of madness, get it?) is over.

The whole “sundering and connected events/players impact the world” thing appears to be taking the Living Forgotten Realms model. People play adventures, send in their results, and the plot/further adventures are connected to those results.

WYC Playback:
I was at the con Friday-Sunday. The con seemed smaller. The convention center LCD’s said “DDXP/Winter Fantasy”, but I thought DDXP moved to GenCon for this year? There were 3 vendors, 2 guys selling game stuff and 1 selling T-shirts. There was an Artimis set up (didn’t play here but have before, lots of fun!) and the GenCon boardgame library.

The boardgame library generally had 7-10 tables going, and during ‘off’ times had as many games going as there were RPG tables. Pathfinder had a couple of tables, but I believe they suffered from a lack of Judges. There’s didn’t seem to ever be more than 2 tables of Next running. The Saturday Battle Interactive had 17-20 tables, which again seemed a bit smaller. I don’t recall there being any lectures/seminars/etc as there had in years pat, which I suspect is a by-product of it not being DDXP anymore.

The only game we could get Friday night was Pathfinder. I’ve only played once before. A mostly linear adventure to rescue some Dwarven diplomats from the religious fundie neighboring kingdom. The DM was one of the better ones (main Pathfinder organizer at the con, I think) during the weekend. The final scene was more open-ended than the rest of the adventure, taking place in a mostly empty, and largish, roadside inn. The battle, once engaged, took place throughout the inn as we escaped. That portion felt more open and “free flowing” than the rest of the adventure scenes. The adventure was full of bullshit names that did NOT roll off the tongue. It was comical how bad that part was. Nice & realistic though, of you’re in to that sort of thing.

Saturday morning we played Living Forgotten Realms 4e Core 6-1 “Behind Obould’s Lines.” War was coming and our 1st level dudes went behind the Orc lines. We convinced one tribe of to abandon the high king of the orcs because they had too many trade ties to the humans. We convinced the second set hat the high king wasn’t blood thirsty enough. We then destroyed some siege gear and killed a Netherese diplomatic convoy, before engaging in a lame skill contest to escape. This adventure suffered a lot from solo-itis. Many parts were focused on 1 or 2 people, leaving everyone else sitting out and waiting. And waiting. The first two sections were diplomacy, which of course meant the guy with the highest diplomacy did all the talking. And he didn’t want to roll play but just roll the dice. But still took forever. Then there was a “prove yourself” section which involved a 2 on 2 combat. This being 4e that took an hour. The rest of us would be punished if we interfered, so we were all sitting around doing nothing. Bad bad adventure design. The “destroy the siege engines” was a skill challenge. The “kill the diplomatic convoy” was an ambush turkey shoot, which was fun to be on the “shooting” side for once. It was also, essentially, the only group party thing we did. We then did THREE skill challenge sections to escape the orcs … which was all very thrown together at the end and felt really out of place. The DM was one of the core con staff, I think, and he wasn’t deviating much from the script. The allowed actions were the allowed actions. I did not approve of his style. At the end of the adventure we were bumped to Level 11 to allow us to play in the Battle Interactive, as a part of the adventure.

The BI is the BI, all 11 hours of it. If you don’t think of it as D&D then it will be one of the most fun things you will do at a con. Basically, you are an army of adventurers engaged in some kind of joint activity. So all of the tables, 20 or so at this con, were all doing about the same thing and our results impacted each other and the future encounters during the game. In this one the Netherese were attacking the last free city (Cormyr? Suthil? SOmething like that) and we were all the special forces. I guess the whole year of Living ZForgotten Realms has been leading up to this moment. It starts with forming up a group, and a group of guys from Columbus needed wizards (my son and I were playing the pregen 11th level wizards from the LFR website) so they asked us to join them. I always feel bad, and grateful, when this happens, since we NOT hardcore 4e at all and the Winter Fantasy crowd generally are. So we’re going to suck the group down AND you get to ply with a kid. How fun! But I’m also obviously grateful that they invited us to play with them and didn’t seem upset that we sucked.

Anyway, main DM gets up on a table and describes what’s going on. There’s evil dragons overhead, swooping down on the city! But then flights of gold, silver, and metallic dragons swoop out over the east and crash in to them in combat, and the battle rages overhead while we’re doing things on the ground. A giant floating sky city comes in to attack and then out of nowhere another small city appears and crashes in to it in the air and then after a bit they both crash to the ground! Then the united orc tribes rise up over a hill, all “Rider of Rohan” style, and the Orc king gives a mighty battle cry and yells who’s with me?! as he turns to face his nations and they charge down the hill! all 50 orcs behind him cheer and follow him in to the valley of death … his remaining tribal nations having deserted him! During this completely cheesy stuff various people are cheering, the ones who went on those adventures. And when he got to the orcs my son and I cheered. That was us; we did that and it had an effect on the battle! It sound stupid, and anyone who has read my reviews knows I can be a cynical asshat, but even now, writing this up two days later, I get a little choked up over the pre-battle action descriptions of dragon armies in battle and sky cities fighting each other and the orc armies.

On to the main BI action. They have a map of the city up on a wall via a projector with six adventure sites. Over the next four hours our table will try to complete as many of the missions as possible, just as the other tables will, and each time we do a green dot appears on the site. Enough green dots and that mission is ‘won’ and the battle changes a bit from there on. We started by attacking cult hideouts, then moved on to one of the corrupted treant groves, and then moved on to a strategic ruined tower, and so on. As you are doing yours others are doing the same or different ones, and the map on the wall is updating, allowing you to better choose the next mission your table goes on. It’s a lot of fun. At one point living cloudkill moved in to the city and some tables abandoned their missions to go help 1/6th of the city each. Again, it’s kind of cheesy to think of an army of adventurers but also lots of fun imagining all of these Special Forces tables undergoing missions while the main battle rages. They do a good job of making you feel special, and part of the larger effort with your actions having consequences, without it being the lame “you, Bob, single-handedly are the star and saved the universe.” It’s a very nice shared experience. The second 4-hour section had us attacking the prison of the mad god Cyric to sunder his throne and bring back Mystra so she could rework the weave. These didn’t seem as fun as the first section of missions, but at the end you kill Cyric, restore Mytra, etc etc etc. Oh, and for killing a god you get bumped to 21. So my son and I started as rutabega farmers that morning, went to the wizards tower to help with the war effort, were given some magic training and sent off to war (our backstory we made up), leveling up through 11 and on to 21 by the end of the day. Kind of a cute series of events.  Lots of fun, and just 11 hours of tactical miniatures battles using 4e, with nothing resembling the kind of D&D I like to play … but still an AWESOME con experience. I think we died something like 12 times among the 6 of us, with 2 complete TPK’s. We got res’d and they marked that mission as a ‘fail’ on map. It doesn’t have to make sense, it’s fun. 

I fucked up our tickets he next morning. We were supposed to play Castle Greyhawk from 8-12 and then Isle of Woe from 12-4, both 5e events. I looked right at the tickets and said “were playing isle of woe from 8-12.” and we did … and then couldn’t play Greyhawk from 12-4 because it was full. I was supposed to help tear down the boardgame library, filling in as a favor to someone who broke an ankle, but they pushed the time back to 3pm and I wasn’t about to wait around for 3 hours, so we drove home after I got a replacement. At the end of Woe a different judge made the mistake of asking me my opinion. There is STILL too much bullshit in 5e, IMO. Every time someone says something like “oh wait, you get an extra +blah because of …” or someone is looking at their Char Sheet instead of at the DM, then the the designer has failed. That is CLEARLY the 4e way, and the latest 5e rules have some of that also, although not as much. The judge announced it was free-flowing i 5e and then spent a lot of time judging the game like it was 4e (although not as hard core) with lots of rule look ups, etc. Maybe that was just because it was an intro game, IDK. I tried to make a point, since it was dungeon, of not taking combat spells but rather utility spells. There were not as many utility spells (to be “creative” with) as I would have liked. I don’t know what’s going on. If people are in Pathfinder/3e/4e mode and can’t look at the situation without looking at the char sheet and rules, or what.

On the way home my son (13) said something like “Im a little sad; 4e was MY first D&D and my favorite because of that.”

It was a good weekend, and my comments should not be taken as otherwise.

My test of a good DM is my equipment list. If I can use my Big Blanket and Chicken, shovel, crowbar, or sock full of CP in an adventure then the DM is a good one. If I can’t then the DM is a rules-bound tool. This isn’t hard and fast, but the DM’s reaction to creative play tells a lot about them, I think. I threw my blanket over a “sticks to snakes” square in pathfinder, and fed my chicken to a river serpent in pathfinder. That was a good DM. I didn’t even try anything in the BI, and the Obould’s lines DM wasn’t having any of my creative nonsense. The Woe guy let me get away with my Wand of Doors (from Fight On! Magazine) but was a little too combat focused. The dungeon was stuffed with nonsense creatures who wanted to nothing but fight. It felt a lot more like a 4e delve than a 1e dungeon. But there WERE puzzle rooms and weird effects and shit. I think I detected a “treasure parcel” which set off my rage-O-meter. I’ve had better DM’s at Winter Fantasy than the 5e guy, but he wasn’t in full on 4e mode. Gotta remember, Winter Fantasy attracts the hardest of the hardcore rules RPGA players.

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Tower of the Red Angel

Posted on February 10, 2014 by Bryce Lynch 
by Simon Forester
Self-published
Swords & Wizardry
Levels 1-3
Freely distributed on "and the sky full of dust" blog.

This is a five or six floor small wizards tower with thirteen or fourteen rooms. It runs a line between some interesting theming/strong flavor and bland and boring. When it brings the theming & flavor it does a good job, but it is inconsistent in delivery, going through stretches without or injecting the boring in situations which could be interesting. It could make a nice hex crawl encounter and has enough going for it to salvage ... which could probably be done on the fly.

 

At only four pages, one of which is map and one of which is rumors and set up, this adventure brings the terse. It also delivers some strong flavor. And it also, maddeningly, delivers some strong doses of boring & mundane. I don't need an action movie in my adventure but I do want to see strong imagery that, as the DM, inspires me. That is the purpose of EVERY published adventure: to inspire the DM. The first page of the adventures is a small collection of bullshit nonsense hooks and great rumors, along with two paragraphs of backstory; one of which could serve as the player intro and one of which serves as the DM intro. I think the introduction is nearly perfect. It does a GREAT job of setting the scene for the adventure and introducing concepts that will be reinforced throughout the adventure. It does this in seven sentences, total: three for the player intro and four for the DM follow-up. They all work well together to form a great baseline that the adventure can build off of. All of those countless frustrated author asshats with their multiple pages of backstory could learn more than little from this adventure. The hooks fall down, falling back to the old "someone hires you", "you heard the wizard was dead" or "hey look, a tower." I'm not exaggerating by much. The actual text is "hired by a thief/wizard/greedy merchant to loot the tower, keeping a share of whatever is found." And that's the most evocative of them. Better to just say "heres a location to use in a hex crawl campaign" or some such rather than take up valuable space with the hooks, since all they are doing is filling dead space. The rumor table, though, is pretty good. In ten rumors, taking up the whole of one column, you get a nice little picture of the tower and great imagery. "Giant spiders have been seen climbing the tower, disappearing into the entrance at the top." or rumors of red demon statue on top of the tower, that flies down to grab folk trying to get in. It continues to reinforce some themes of the adventure, in particular: snakes.

 

The second page has the map of the tower.

Six levels all laid out on page, with a small key, with notes on setting the place on fire, and with some decent floor plans showing statues, tables, columns, chairs, and the like. The smaller level maps are JUST on the edge of being too small, another 15% in size and they'd be ok. There is good detail non the maps though, with lots of stairs, and especially balconies. This adventure uses a lot of open spaces and balconies open to below. I love that kind of stuff; it gives the party a good non-linear chance of exploring and using their wits. Combine with actual interesting things IN those areas they can see, it provides some great variety and interest.

 

It takes three columns to describe the keyed entries, from the featureless wall surrounding the tower, to the hostile garden inside the wall with it hidden path, to the various rooms and chambers inside of the tower. The primary strength and weakness of the adventure are here in the rooms. It does a great job of describing a balcony at the top of the tower, looking out over the garden and forest, with an arched entry leading to columned chamber with stairs leading down, the domed ceiling thick with cobwebs, and the columns holding the roof up carved with images of snakes. That's good imagery. Spiders cocoon a dead thief, with a red marble statues of a faceless angel squatting on the balcony railing. When the adventure is doing things like this it's at its best. Throwing in strong snake theming and tossing about adjectives and adverbs. It's a DOMED ceiling THICK with cobwebs. RED marble, FACELESS angel, SQUATing on the RAILing. It's building up a picture in your mind and the adjectives and adverbs helps that. And then it has a dormitory with a simple guest room with beds, empty shelves and a simple table and stools. Uh ... thats not fun. Realistic maybe, but not fun. It builds a picture all right, but one of being lame. It goes back and forth like this, providing some good imagery in some rooms while in others being boring and lame and NOT awesome. The monsters are all unique, which is a plus, but they tend to be things like "giant snake" "winged statues" and "giant spiders." Even there the things lacks a bit of detail. The hostile plants in the garden get a "Whips/thorns/etc" attack. A couple of better example would have been in order. Some of the treasure is great (a bottle full of diamond dust) while some is almost great (a +1 dagger that looks like a snake fang. Better if it WAS a snakes fang) some is lame (potion of healing.) Other places have things obviously overlook (gold and silver inlay? We pry it off! How much is it worth? Uh .. not listed.)

 

This shows more imagination than most adventures, its just disappointing that it doesn't hit more consistently. I would have no trouble running it.

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Dungeon Magazine #23

Posted on February 8, 2014 by Bryce Lynch

d23

The Vineyard Vales
by Randy Maxwell
D&D
Level 2-4

This is a Scandinavian/viking themed adventure. The party wanders around the countryside having encounters on the way to/from two adventure sites. The countryside encounter really makes this adventure, and if you read those encounters first (which are at the end of the adventure) and then go back and read the other encounters, you’ll have a much better time in your head figuring out the adventure. Giant locusts are eating the locals crops. There’s no lord, this is an independent freehold, and no one wants to invite a jarl in. The group is hired to go after the locusts while the locals are out battling the locusts. That has a hint of lameness about it; how many times have we read “we can’t be bothered” or “were busy and cant do it” as a lame excuse to get the party involved. And that’s exactly what I thought, but then the wandering encounters do something more. There are some large battles between the locals and the various bad guys. This background scenery adds a lot to the adventure and to the hook. We get to see groups of farmers and locals banding together to protect their lands. Rather than their being some paternalistic “were too weak to defend ourselves” nonsense, there is instead much greater buy in to hook. The group eventually learns some lizard men are behind things. The vibe here though is not the noble savage but rather a kind of cannibal beast-man feel, fitting in well with the lower-tech/lower-fantasy environment. Captives, refugees, burning farmsteads, wandering mercenaries, large pitched battles, all very nice and fitting in well with the lower-tech/magic theme. The first adventure site is nothing special, just a cave with shriekers and a giant toad. The second is a kind of ruined courtyard with a lot of lizard men running around in it. Or, rather, parts of it. It would have been nicer, I think, if the lizard men were out in the compound with guards, cannibal feasts, etc, instead of hold up in buildings lie the barn. But … then you get to burn the barn down and kill the folks running out, so, six of one. The mundane treasure here gets a little love, with silver-inlaid scroll tubes and jeweled dagger sheaths, but then nothing is done with the magic items. The wandering encounters are what really bring this adventure to life and add the flavor.

The Pyramid of Jenkel
by Willie Walsh
AD&D
Levels 8-10

Evil demon is luring adventurers to their doom in a village temple. Most of the village is willfully ignoring what is going on. This has A LOT of backstory, three pages worth. It all amounts to a MOSTLY buried clocktower showing up one day in the middle of a village. Hence the “buried pyramid.” The demon at the bottom corrupts a priest and he starts modifying the local festivals to include animal sacrifices … and luring adventurers in to it. He does this by … sending out people in to the wild to spread rumors .. that they believe so detect lies/alignment/blah blah blah don’t work on them. I hate that shit. It’s a weak way for the DM to screw over the party and a crutch for not putting in the design work required to get the hook moving. The village is described in WAY too much detail. Almost every entry seems to give us a short tutorial on how medieval farming practices work. There’s also a nice section how the gatekeeper purchases vegetables from the local general store. WTF? NONE of this is relevant to the adventure. It’s absurd. Underneath the clocktower is a small portion of a ruined city. That could be cool, but there’s too many creatures hanging out in their little houses and not enough “sneaking through he ruined city” going on. There’s an attempt to add color, trolls with livestock and mephits in hawaiian shirts and fedoras, but there’s not enough interactivity to support it. It’s combined with a “bad guy wears a ring lets him control the area the undead can roam in.” LAME. Just do something else. The magic treasure is generic and the mundane treasure little; gems in particular just get generic values. I like the Marlith demon being evil and corrupting the villager thing, but the entire clocktower and ruined city are boring and generic.

Old Sea-Dog
By THomas M. Kane
AD&D
Levels 2-5

This is an absurd adventure, but its got a big chaotic ending. In a port town, a lords prize fighting dog is missing and he needs it back. The party is hired, investigate, find some clues, go to a ship where the dog is, and then all hell breaks loose in three or four way fight on the ship. This may be the closest thing I’ve ever seen to an actual “big crazy pirate ship battle” outside of the movies … and there are no real pirates and the ship is probably at port when it goes down. It doesn’t mess around at the beginning but jumps right in, which is VERY unusual for a Dungeon adventure. It’s got some good city encounters, including a noble lord running down people in the street, good natured constables who shut down investigations, drunks, beggars, and gamblers. There’s a good inn encounter with a couple of loose rumors about the dog which are handled well: a minimum of words and nice little surround of “treat the staff nice/work on their defects” to pump them for information. The ship is built to be snuck on to, by a variety of means/mechanisms, from stealth to social. After that, guards & wards show up and three factions duke it out on the ship. Maybe a little more description of crazy shit to happen on the ship would be nice, but it’s an otherwise great setting for an almost mass combat. Seven pages make a tight little adventure for a great night of play.

Deception Pass
by Rich Stump
AD&D
Levels 7-9

This is a frustrating adventure with some Ogre Magi, in both an ambush and a lair, who are pretending to be someone else. There’s s nice little scene with a town meeting to start the adventure off. The various NPC’s in the town are all there, along with others, and the party just kind of stumble in to it. It feels like a real town meeting in a rough & trouble place, and the various NPCs have more color and personality to them than is usual in a Dungeon Magazine … without it being overboard. The town is a little over-described … I’m not sure I need to know the full story of how The Iron Horse Inn got its name, or that food prices ate 102% of book standard. There are a lot of rumors, which is nice, but they are a little generic and could be beefed up with some more exciting language. “A hermit lives in the wooded vale south of the pass. Don’t disturb him – he owns a powerful magic staff.” That’s too generic for my tastes. I’m looking for a story about crazy old ben who has a lazer staff , or crazy old Ichibod and how he fought off a giant by using his staff to turn him to a manta ray. Effects and color, not flavorless fact. The Magi attack the parties caravan in the pass, but they are all disguised as something else and pretending to be mages, etc. Face magic wands and staves and the like to cover up their powers. To win out the day the party needs to get of the 7 magi down to 2/3 of their HP, which causes them to flee. The lair portion of the adventure then comes in to play, with the lair housing a great number of charmed people/creatures in the service of the Magi. The lair map is moderately interesting but it suffers from the usual lack of a coordinated defense. The Magi are supposed to be super intelligent but instead tend to hang out in a single place and each area ends up being mostly isolated combats from the others. The charmed NPC’s are moderately interesting but they all attack immediately and thus die without that coming in to effect. The rooms in the ruins are not that interesting, being little more than abandoned rooms with dust and broken furniture occupied, maybe, by a charmed person who attacks immediately … in isolation from everyone else. The Ogre Magi, working together, are good opponents, and the concept of the charmed staff could have added a nice touch. The lack of social element and/or the gimmick of them pretending to be other creatures/mages when they attack, feels out of place. The lack of the fantastic in the locations, magic, and treasure, is quite disappointing.

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