The Nobleman’s Manor

Posted on October 11, 2023 by Bryce Lynch 
By Christopher Wilson
Self Published
OSE
Levels 3-5

A nobleman from Glaustshine, Duke Bartholomew, has taken up residence in a local hunting manor.  The manor seems to have been renovated nearly overnight and farmers in the area report that the duke seems to enjoy hunting at night, as they can hear the howling of his dogs at the edge of the Solvanus Forest late in the evening.

This 78 page adventure features a manor with three levels and about thirty rooms. It’s a social adventure, maybe? Except it’s not, it’s just a hack? Some delightful farm encounters can’t save a hack adventure, literally and figuratively, with bad descriptions.

Somehow, the party gets mixed up in this adventure. I don’t know how. You’re supposed to get an invitation to dinner at the manor when you are wandering through the woods. WHY you’re wandering through the woods near town is never expanded upon. I guess there’s a rumor table that might, eventually, lead you to go poking around in farmers fields and the like? Anyway, absolutely no hook, just somehow end up wandering in the woods so you can get an invite to dinner by the guards. (There are, by the way, about a zillion normal human “veteran” guards. Holdovers from the imperial army. I guess they follow orders well and don’t question things. It’s always amazed me WHY these dudes do what they do. The seemingly mindless and never-ending number of low level mercenaries that do their masters bidding. A paychecks a paycheck, I guess, but, I’d love to see them as a faction … the big bad cant be TOOOO obviously bad, they need to maintain a pretext, and the muscle is much more easily bribed,  in my fantasy world, I guess.) 

Once you get in I think that this is supposed to be a social adventure. Interact with the duke, his wife, their friend, and so on. Maybe while exploring the manor? And there’s a ball with elf dignitaries the next night after you stay the first night. So, I guess you’re supposed to just explore things? There are no real guidelines on how people react, when the gig is up, how they react to shit and so on. Like I said, I think this WANTS to be a social adventure but it’s not. It’s keyed and stated like a hack fest. The dukes friend gets a 2.5 page stat block, right in the fucking middle of a room description. Like, seriously, the rest of the room, MENTIONING THE FUCKING GUARDS IN IT, shows up as like a couple of sentences at the end of that stat block. What the fuck man? You want me to follow this at the table? And the entire thing is just keyed like a normal explore adventure. Different adventure types require different keying. And while I’m a big BIG fan of the standard map/room/key format, there are times when it’s not appropriate in its usual form. Like in a social adventure. No factions, the social shit is just mixed in to the room keys willy nilly so you never really know whats going on, no timelines …. It’s really that “social shit mixed in to the room keys” thing that is a major problem here. Putting the dignitary ball in the ballroom stat block, for the next night, is the best example of this.

Wanderers are meh. They are doing something but the encounters are not interesting at all. You see a ghost and it goes away. Nothing to do with the adventure. Yo usee kittens playing. There’s just nothing to the encounter details; they don’t contribute to the adventure. And not everything has to, but, if it’s not a hack encounter then it should do SOMETHING, yes?

The adventure has $12k in treasure. Enjoy trying to level on that. Also, the cover says levels three to five while one of the first sentences says levels three to four. I wouldn’t really care about that, except it’s indicative of the degree of care, or lack thereof, expressed by the designer.

Quarter to half page stat blocks to distract. Padding in the text “The characters may choose to travel through the forest during the day, or perhaps set up a camp to rest.” Descriptions, in OSE style, which miss the point of how descriptions are supposed to work in the OSE style “White gravel (carriage turn around in front of double door entrance). Stone and polished wood beams with white plaster (manor foundation and walls).” That, gentle readers, is not how an OSE description style is supposed to work.

There are a couple of highlight though. They all involve the various farm encounters you can have while traveling around through the wilderness. In one you see a boy and ox killed, disemboweled, in a field. More dead family members are in the small home. Arrayed around it are scarecrows, facing it. And another one has been set up in the living room. Super creepy man! They are “hay golems” of course, but, still, nice! No way, as a player, I’d do anything other than burn them ar first sight, but, I like the encounter! And another with a farmer who lets you stay in his barn overnight … just keep away from his daughter! Who is VERY interested in the party. I love the classics! Another has a family in the midst of being killed by brigands burning their home, while another in a classic Dingo got my baby! Encounter. These are all delightful. Nice situations for the party to find themselves in. The entire adventure needed to be like that.

So, wrong format chose, used in the wrong way. And the duke is a doppelganger assassin, is wife actually a fey hag and their friend a necromancer wight. I mourn for the future where people think this set up makes for a good D&D adventure.

This is $6 at DriveThru. The preview is five pages and tells you nothing but the irrelevant backstory. Shitty preview.

https://www.drivethrurpg.com/product/422733/The-Noblemans-Manor?1892600

Posted in Reviews | 23 Comments

Castle Ravir

Posted on October 9, 2023 by Bryce Lynch 
By The Basic Expert
The Basic Expert
OSR
"Mid to High" Levels

The castle is named after the black dragon Ravir the Black who lives there. He has accrued followers who are helping him gain treasure (through violence), in order for him to use the treasure in a draconic ritual to achieve godhood. This is a great adventure for mid to higher-level characters that can be dropped into your campaign anywhere where you have a marsh.

This twenty page dungeon has about sixty rooms on six levels. It’s got a dragon on the last level, and is devoid of the life that makes a good product come alive, instead substituting padding and backstory in the rooms descriptions … when there are some.

So, ruined castle in a marsh. The dragon that lives there extort caravans passing by, enriching himself, blah blah blah, needs the cash to become a god. Vaguely Hoard of Tiamaty. He’s collected a following of humanoids that worships him. Which is just a pretext to shove in a bunch of different humanoid types for the party to fight. Lizardmen, orcs, goblins, kobolds, and evil men, among others. But, hey hey, don’t worry, while they don’t get along they put all of their differences aside when it comes to protecting the dragon, so, no faction play. Note how we are now up to two pretexts, before the dungeon even starts, to justify having a monster zoo to just stab and nothing else. No order of battle, just entering rooms and stabbing shit. No NPC play, just entering rooms and stabbing shit. You enjoy that. So much more could have been done if there were factions, or, even if ANY references were made to the cult-like behavior of the people inside. Instead we get “Cleric level 3.” You gotta imagine this shit first. What’s going on? How do people in the real world act? Then, after coming up with some good, solid shit you can go stat it out. Otherwise you just get “Cleric level 3” in a room for you to stab. what fun …

Let’s see, a wanderers table. Yup, they are doing nothing. Orcs, goblins, lizardmen, bandits, gnolls, kobolds, ogres, evil men. Perfectly boring with no flavour to the thing.

Our room descriptions almost always start with “Room 1 – This room is …” or some slight variation. This room appears to be. Sometimes the designer steps it up with “8 goblins are in this room” or some such. That’s why we don’t call things “room 1, instead we say “1 – Makeshift Guardroom” and then go on to describe the room. All of this is bad padding. 

There’s a lot of appears to be and seems to be thrown in.There’s a lot of backstory mixed in to the rooms, sometimes half or a third of a column of information that is completely useless. This isn’t a historical document, it’s a document meant to be used to run a game at the table. Monsters are just mixed in to the text with no formatting, so, good luck pulling out the information you need to run a game. “Generally there are no guards here.” Great, so there are no guards here. Are there generally gods here? Or elephants? “This is the kitchen for the caste (or what is currently being used as a kitchen …” and then describes a kitchen. 

Sometimes the descriptions get REALLY good. Like “An evil level 3 cleric is in this room along with five goblins.” 

Minimal statting, if it weren’t for the padded out backstory and text. There’s nothing to this adventure, beyond what you might get in Palace fo the Vampire Queen. Sure, more words, but to no other effect. Enjoy your land of imagination!

This is $4 at DriveThru, with one five star rating, of course. You’ll get a few pages of rooms in the preview, so, enough to figure things out on your own.

https://www.drivethrurpg.com/product/413187/Castle-Ravir?1892600

Posted in Reviews | 9 Comments

Lost Shrine of Vaelor

Posted on October 7, 2023 by Bryce Lynch 
By FEI Games
FEI Games
OSE
Levels 6-9

The local Scholar’s Guild has obtained information of a long lost temple of an abandoned god located out in the marshlands. Guildmaster RHorrell has requested your services based on your reputation that is known far and wide. The Guild’s only request is that any artifacts are to be brought back so they can document and study them. They are willing to compensate your success with 5,000gp each as well as equip you with provisions. 

This eleven page digest adventure features a temple with five rooms. It is a one page dungeon without that charm that takes up eleven pages. It reinforced my bewilderment that someone thinks these types of things are products.And the ONLY reason I’m looking at this at all is that is says the entire thing is available in the preview. Since this is a common bitch of mine I thought that maybe FEI Games had improved things. Guess whose boundless optimism was once again crushed underheel … and not by a humble ant?

The intro to this? You read the intro. It’s that little blurb up above. That’s usually the marketing blurb from an adventures DriveThru page, but, when they don’t have one there I try and snag one from the product. That’s the intro blurb from the product. And I have a few things to say about it.

First, there’s absolutely nothing else in the intro to this adventure. After that little column (this is a digest, remember) then room one starts. Nothing more. So that’s ALL you have to go on. That, and, presumably, that cover art? Is that suppose to be the temple in question? We’ll assume so. The thing just launches in to room one. Journey to get there? Is it out in the woods somewhere a day from town? Is it above ground or below ground? There is absolutely no contest to this thing. 

And that intro is one of the most generic on earth. “The local scholars guild” is boring as all fuck. “Abandoned god” is even more boring. Wasn’t their entire volume called Petty Gods?  You couldn’t just pull something from it, or make up a name? You couldn’t do ANYTHING to give this thing some kind of character? Specificity. You need specificity. That’s what brings something to life. Not long winded detail. Specificity. And this is wholly lacking in it except for naming the guildmaster. Not exactly vividly evocative. Or interesting. In any way. 

But, hey, your level nines are gonna get 5k in GP! So, take that fucking cash to bank, right man?! The dungeon, proper, has $10k more in treasure. And you need 100k in XP to gain a level. One person. I am dazzled and amazed by the hubris required to produce something like this.

Did I mention the six hit die shadows? Or the nine hit die crypt keeper? The shadows should be an automatic destroy and the crypt keeper an automatic turn, if memory serves me correctly? Perfect. A perfect design job.

Let’s see here … the art implies the temple is above ground. So, you know, we don’t go through the front door in such cases. We go through the roofs, or tear down the walls. Seems chill to me. Maybe some divination to figure out which room has the loot and then bring out the sledgehammer to knock the back wall to it down? We could use a wizard spell, but, that seems like overkill. Look, I know, but, fuck man, you have to invest SOME effort in design, don’t you? And that clearly was not done here.

Let’s see here. Fiv rooms. Two pages (pffft!) Two riddles, maybe some shadows if you riddle wrong. A crypt thing. A guardian thing and some six HD “strangler vines”. Oooh! Scary scary! Nothing here. Just garbage. One of the riddle is on a bridge crossing a chasm. If you answer correctly you get some magic stones to cross the chasm. The chasm is 10 feet across, sigint diagonal in a room that’s thirty by fifty. Seriously. Ten feet. Maybe, just, step across it?

Room one, titles The Entrance, starts with “This entrance chamber … great, we’re already padding. And then it continues “As your party enters”, so, we’ve got some second person shit going on also. Great. ITS NOT EVEN READ-ALOUD. It’s just there the DM text is formatted like that. Fucking wonderful. How about The Crypt room, eh? Let’s talk a look at that one: “This chamber [more padding!] is filled with ancient sarcophagus. [not specific!]] In the center of the room is a sarcophagus that is partially open. Suddenly a menacing guardian, a Crypt Keeper, rises to protect the temple’s treasures.” That’s all you get for the room. Nothing more. Enjoy that shit. 

You get what you give, that much is true. 

This is Pay What You Want at DriveThru with a suggested price of $.50. The whole thing is available in the preview. That may be the best part of the adventure. 

https://www.drivethrurpg.com/product/454189/Lost-Shrine-Of-Vaelor?1892600

Posted in Reviews | 12 Comments

The Drowning Temple

Posted on October 4, 2023 by Bryce Lynch 
By Dan Homer
Myriad Heroes
Pathfinder/3.5
Level 2

Something stirs beneath the holy temple, tremors rock its foundations and a mysterious evil rises within the dark waters threatening the consecrated halls. Heroes are called upon to save the site in a race against time.

This 22 page adventure uses six pages to describe six rooms. This appears to be by a designer who never made the jump to 4e, even though they should have, given their tactics heavy style. It’s got some wordiness issues here and there in the DM text, but the score of the descriptions are ok. Too bad absolutely nothing is going on except a hack.

Check out that cover man! Pretty fucking hot! And that’s entirely the reason I bought this. I’m sure not all Pathfinder/3.5 adventures are bad, right? And that cover IS pretty sweet!

The last sentence of the first paragraph of the adventure is “A race against time!” THis caused all of my wonder and optimism to fade away. This time A Race Against Time means that every 3d6 ROUNDS inside the ruined temple  there’s an earth tremor and you get to take 1d6 damage, save for half. So, you know, that kind of shit is loads of fun. Also, if you search rooms or explore “the upper temple” then there are one or two more purple worm things in the basement, instead of the one present if you just do a speedy job, I guess. Race against time. Pffft.

Ok, so, the race against time wasn’t exactly the FIRST sign that this was going to be a shit adventure. That was the page that showed the maps. Without keys. I fucking hate this shit Just put a fucking map key on it. Number the fucking thing. Does Heralds Hall come before or after Santum in your writings? How the fuck should I know. But i know that “2” comes before “3.” Fucking asshats. USE A KEY. Sure, there are times when you don’t need to use a key. Or, even, when you SHOULDNT use a key. But this isn’t one of them. Then to add to the fun, there are rooms to explore not shown on the map. Uh huh. The “Upper Temple” has a robing room and a study for you to explore. No map provided. Just a notation that behind a set of double doors i The Upper Temple, with the rooms described in a couple of paragraphs in the Vestibule (which is room one) entry. Why the fuck you do this man? You never seen an adventure before? You never used one before? I guess it doesn’t matter, the adventure is almost entirely linear. yeah me

Somehow you make your way to this temple, understanding that they need help. Outside you see one priestess. “Oh, help us brave adventurer!” shit goes down … you’re to go in and kill the shit and/or save the relics so they don’t get buried when the temple collapses from the earthquakes. In you go. She fails to mention the traps on the doors inside. Or the animated armour that attacks. Murder Hobos help those who help themselves and I’d like to note that the omission of information IS lying. But, whatever. I assume this is some kind of Cant Kill Intelligent Shit stuff that is going on. Once your past the animated armor you get to fight some vines. Exciting, I know! Then you go downstairs and fight a hag in a room partially flooded by water. She’s got a one-eyed salamander. That’s the cover art. Inside the room is a chasm, unseen because of the water, to the room below the reliquary that has the giant worms in it hat are eating the foundation, causing the earthquakes. The underwater chasm is a cute idea.

Whatever. It’s just one fight after another with long tactics sections. Sometimes you get to roll a skill check to get some kind of useless information. There’s nothing really of interest in terms of NPCs or exploration. 4e at its finest.

The descriptions for the rooms are ok.  “Pillars on either side of the chamber support a high, arched ceiling. Dust motes swirl amid shafts of light cast from tall windows, illuminating an altar with a pale, 12’ tall statue of a winged angel standing behind it.” That’s not too bad, and most of them fall in to that sort of thing. Of course, you also get monster and room background in the DM text. And the descriptions of things are thrown around in the room descriptions all willy nilly … who knows where you’ll find a pertinent description that you need/want!

22 pages for six rooms. That’s kind of rough even for Pathfinder. The sweetest revenge is a well lived life, and not having to pay for shit like this.

This is Pay What You Want at DriveThru with a suggested price of $1. The preview will show you a few rooms, so I guess it’s a decent preview.

https://www.drivethrurpg.com/product/453694/The-Drowning-Temple?1892600

Posted in Pathfinder, Reviews | 4 Comments

Village on the Borderlands

Posted on October 2, 2023 by Bryce Lynch 
By Mark Taormino
Dark Wizard Games
OSRIC
Levels 1-3

Enjoy those fucking hill giants at level one, you fucking idiots!

The Hamlet of Taldren has been a peaceful settlement for many years, however dark times have fallen upon its denizens. Roving bands of Ogres have been raiding the stockpiles and animal pens in the night! It is believed they answer to a rambunctious giant living in a nearby lush green valley known as the Hill Giant Highlands. There have also been reports of strange animated fungi plant monsters appearing in the Caverns of the Wicked Peaks. Folks have even spotted bandits lurking around the ruins of Sternholm Keep and wandering skeletons in the old cemetary in the Forest of the Fallen Oaks. The villagers have cobbled together a ragtag group of willing adventurers to put an end to these dastardly fiends wherever they spawn. Fame, fortune and glory await those brave souls who can defeat these evil monsters and restore order to the Village on the Borderlands!

This 64 page adventure describes a village and four small dungeons. It represents all that is wrong with the universe and I literally do not give one shit about it. 

Fucking garbage through and through, that’s what this is. A complete insult to every other adventure ever written, the last fifteen years of the internet, and every bit of common sense that should be available to even the most casual fan of Dungeons and Dragons. I hope I die before I wake.

64 pages is what we get. For fifteen fucking dollars. Fifteen dollars. I’m not usually one to bitch about price, but it’s this kind of shit that gives moderately priced supplements a bad name. Why the fuck would I ever spend even five dollars on something if this is the kind of quality I can expect to get from it? Why not just pirate the fucking thing since it’s going to be garbage anyway. Sure, tell yourself you’ll pay for it if its good, whatever gets you through the night. The real issue is that this dude took fifteen dollars from me and gave me this great steaming pile of shit. Why ever buy anything? Just take the shit they shovel down your fucking throat and be fucking happy that they didn’t also kill you when they fucking did it. Expectations. Don’t have any. Ever. Just expect that you are burning your fucking money. If anything else happens then be fucking thrilled about it.

But, of course, the first 36 pages describe the village. An utterly boring village. I’m not even sure how you get to 36 pages describing a village. Oh, wait, I know, you describe fifteen farmers hovels. All idyllic. All with chicken and all french country kitchen and tuscan kitchen. No, don’t get your fucking hopes up, the descriptions aren’t that good. Oh, they are long as all fuck. Long, overlong, read-aloud. And long DM text. Paragraphs. Long ones. With lots and lots and lots of bolding. Of Entire sentences. Multiples sentences at a time. Half of a long paragraph bolded. Whats the fucking point of doing this? You’re calling attention to what exactly? That there’s a jar of pepper on the shelf? It’s a fucking abomination. Theres NOTHING going on in this place. NOTHING. Take this, one small snippet from an overly long DM text that happens after an overly long read-aloud about Yet Another Farmers Hovel “He is looking for extra money so he may offer to sell the PCs his Potion of Water Breathing for a reasonable price (GMs discretion). His wife is dressed in a modest, but well-kept dress that hints at elegance despite its simplicity and her blonde hair is tied back in a neat bun” You could have fucking done something with that. But, nope, nothing. The highlight is a druid that is blind. If you steal from him it’s a “moral challenge”, but, also, he’s got 400pp in a chest along with a +3 dagger and a necklace of prayer beads, along with other goodies. Moral test indeed! And these ARE the highlights, by far, so don’t go fucking telling yourself that you can handle something with that kind of content. 

Oh, oh, all of the read-aloud is in second person. Everything. EVERYTHING. Second person. “

As you survey the area you can’t help but wonder what other dangers and mysteries this valley holds” Pardon me while I throw up in my mouth from the hackneyed writing and then throw up again from the second person writing. 

And this extends to the writing in the dungeons. Fucking railroaded encounters. Oh, no, not that kind. Oh no it’s the absolute worst kind. After suffering through a long read-aloud about a throne room in a cave it ends with the figure on the trone standing up and saying “My blade and I have been waiting for you.”  If you stumble upon some ogres in the hill giant caves then one of the read-alouds ends with “The one with the club drunkenly grumbles about him cheating as he turns around and notices your party. He speaks in Common, “Any of you want to play Knucklebones with me… hiccup?” So fuck you and fuck your stealth. Fuck your invisibility. Fuck your wizard eye and gaseous form. Fuck everything you, as a player, do. Fucking railroaded second person read-aloud. I thought I had seen everything but this is surely a new low in adventure design. 

Page long read-aloud. Quarter page read-aloud. That throne room? The art above the room entry shows a skeleton dude on a throne. Turns out though that it’s just a normal human dude. Perfect. The art is not just not contributing to the adventure it is actually working against comprehension. Just the fuck what I want in an D&D adventure. 

It’s all fucking garbage. The village. The dungeons. All trash. Second person. Too long read-aloud. Too long DM text. Bolding EVERYWHERE to the point it actually causes more confusion than not using it. Boring ass dungeon full of stabbing things and a few traps. “Use DMs discretion” advice everywhere. 

This thing can go fuck itself. FIfteen fucking dollars. Fuck you man. Fuck You. Dark Wizard Games needs to get a lot smarter a lot faster.

This is $15 at DriveThru. The preview is ten pages. Check ou preview page five/real page three for an idea of the bolding issues, but, imagine MORE bolding. 

https://www.drivethrurpg.com/product/453131/Village-on-the-Borderlands-1E?1892600

Posted in Dungeons & Dragons Adventure Review, Reviews | 174 Comments

Into the Caves of the Pestilent Abomination

Posted on September 30, 2023 by Bryce Lynch 
By Marcelo P Augusto
Giallo Games
OSR
Levels 1-2

Something evil and cruel has been terrorizing the peaceful villagers of Woodsmen Village. Who will be the brave adventurers to discover the source of this evil and restore peace to the land?

Thi 24 page adventure features a cave with twelve rooms. It is 2023 and OSR adventures continue to be terrible. Including this one.

Ok, I Just typed up a long paragraph that I decided was a harsh personal attack on the designer. So I deleted it. Instead, I poured myself a drink (9:23! I’m doing better!) and am going to write the normal boring ass review of a normal dreadful adventure. But, man, I fucking went there. Cause this dude doesn’t deserve that. It’s not a rip off adventure. It’s just a dude doing his best. Like, you’re having open heart surgery by a dude that saw a cartoon yesterday that had a beating heart in it and now, today, you’re going under the knife.

The dungeon starts on page fifteen. Up until then we get a village description, or, rather, the village backstory description, as well as a couple of pages on the surrounding wilderness. Everything in this describes, pretty much, this wandering priest who used to be around, who stank a lot. Now there’s sheep heads and slaughtered animals showing up. Best go track him down. 

The village, proper, doesn’t really get much of a description. Nor does it really need one. It starts off with a paragraph describing an idyllic little place. And then it goes on and on and on and on, with backstory mostly and a little “pleasant farmers doing pleasant farmer shit.” Absolutely nothing, beyond that first paragraph, is needed to run this village. We all know what a kitchen looks like. Then there’s what feels like six hundred pages of back story that is kind of disguised as rumours that you can hear. There IS a rumour table, but it’s kind of meaningless. “Ocs in the mountains!” kind of shit. The actual adventure backstory has all of the information that you want to tell the players, integrated in to the adventure. You’re not going to be able to do that, of course, since there’s no way to slog though it all except in real time. It’s all mostly about the stinky priest that used to come around. And a little about the traveling heroes that saved their village once. WHich is why, I guess, everyone is afraid of you when you come in to town. Because wandering heroes saved them once and they still venerate tem and remember them and now they are afraid of all wandering heroes. I’d love it if this shit made sense, but it don’t. 

Ok, so, there’s a wilderness map. It has place son it from the rumour table, like that pass with orcs, and where the last sheep head was found and shit like that. They get no descriptions. While the locations are keyed, on the map, there are no descriptions of any of the locales. There’s a short wandering monster table, in case you want to meet “deer” or “1d6 wolves.” Have fun. You need to wander in to the swamp, where you will find tracks that lead to a small mound with a cave entrance in it. 

Great! You’re at the cave. Enjoy such room titles as Tunnel 1 and Cave 2 and Citrine Cave 3. You’ll find a map with about twelve rooms on it. And no grid. Why no grid? Why was that the decision you made?  Have ya played D&D before? You know we need a map grid, right? I mean, yes, you did put on a, like a line that says 1” equals ten feet … but that don’t cut it.

You can then enjoy many confused and overly long descriptions that repeat things form the map and need better evocative writing. You will find a +1 dagger, a cursed necklace, and, I don’t know, 100gp in treasure. Again, have you played D&D before? You know that gold equals XP? No? 

Oh, after all that lead up to the stinky priest, in this stinky cave, it turns out that the priest is long dead. All of that foreshadowing is worthless. It’s actually a stinky troll in the last room. A troll. At level one. You have fucking fun with that, yeah?

There are a couple of decent encounter ideas in this. A spider crab thing lurking under the water outside of the cave entrance in the swamp. Always a fun encounter! Some quicksand in an otherwise flooded cave … that’s a nice little combo that can bring some life to an otherwise staid encounter type. 

Otherwise it’s nothing but repetition, boring words, and abstraction. Houses in town are decorated with various allegories like pumpkins and candles in the windows. Fucking great. DESCRIBE it. Make us FEEL it. Don’t fucking abstract a key component of the adventure.

This is just junk. A step backwards in OSR design, in many ways, from the slightly better terrible offerings generally showing up these days. 

This is $2.50 at DriveThru. The preview is six pages, the first six, so you get about two pages of actual text … and I’m being generous in that. Just imagine that everything int he adventure is like that and you’ll get an idea of it.

https://www.drivethrurpg.com/product/452728/Into-the-Caves-of-the-Pestilent-Abomination-An-OSR-adventure?1892600

Posted in Dungeons & Dragons Adventure Review, Reviews | 13 Comments

Down in Yon Forest

Posted on September 27, 2023 by Bryce Lynch 
By Zzarchov Kowolski
Self Published
NGR/OSR
Level ?

Down in Yon Forest is a seasonal adventure about a small town dealing with the threat of Krampus and torn between the Holy Church and the Old Gods in dealing with him.

This thirty page adventure details a small village full of children that need to be saved from Krampus, with a couple of small dungeons nearby that might help you do that. Editing is weirdly poor on this, with the usual Zzarchov layout issues that lead to wall of text syndrome. Which is too bad given the finery contained within.

No, you can’t buy this ZZarchov adventure. I picked it up at GenCon, I guess, at his physical booth. I wouldn’t normally review/seek out something like that, but, I own it now and it was next on the pile of physical books to review. Also, it’s a holiday adventure. I fucking LOATHE holiday adventures and don’t seek them out. But, it’s the next on top of the pile, so, here goes …

Hey, it’s not bad!

More than anything else, you need to know that there is an integrated … naturalism? to this adventure. I think that’s true for a great many ZZarchov adventures, but it strikes me, here, much more so than many of his others. This naturalism immerses you in a world that WORKS. It makes sense. Little things, thrown in the text, to make the locations visceral, or to make situations, for clever and observant players, work out. Or not. The shit here makes sense. It’s not thrown in your fucking face. It just IS. And that IS makes this entire thing so much more than the sum of it. It’s got all the best parts parts of, say, a Harn 100 Bushels adventure making sense, without all of the garbage appeals to realism that drag a text down. The things here either make you really FEEL the vibe of a place or are useful tools for exploitation. And that is, one hundred percent, exactly the fuck how you write one of these things. Sure, other settings can other vibes, but, ideally, you want these places to come alive and make sense. I’m not even sure that’s the right phrase, make sense, but I hope you get what I mean. And Zzarchov does a fantastic fucking job of doing it. 

The setting here is the pseudo-medieval europe that he generally uses. Not quite as modern, it seems, as the general Lamentations setting. A little more rustic. Or rough around the edges. The Holy Mother CHurch has gotten some shit done, but things are also very much not under control. In this one we’ve got a remote village in winter. Up on a hill, a wooden palisade, about ten to fifteen small homes inside of it, a wooden gate protecting it. A cemetery and a mill outside of it. And, smack dab in the middle, a plume of smoke and still embering ruin of a church with a big black cauldron out front. Looks like the local priest had a bit too much of the wassail he was brewing for christmas eve, got drunk and knocked over some candles and burned the place down, burning himself to a crisp in the process. Oops. Oh, also, all of the kids hide out in the church every christmas, consecrated ground and all that, to keep from getting stolen by Krampus. So, no consecrated ground this year. Oops. Good thing the party just showed up!

ZZarchov gives you some options here. First, there are notes on Krampus getting in to houses, and how long that takes. He wants kids, not to fight the party, so some small details on coming down chimneys and how long things takes. Then, he gives you more options. There’s an inn nearby with some mercenaries in it. You could go bring them back to help defend the village. Also, they are drunkards, hate peasants, and will need some motivation … and booze. And pay. Or, you could go seek out the witch nearby. She eats kids also, so, you know, Krampus could cramp her style. Also, there’s a fort nearby (dungeon option number one) with a chapel in it. It has a slight Black Death problem. You could check it out and if its ok then haul the kids there to wait out the night in that chapel. It’s also got a slight gargoylse problem, it turns out, with a holy shrine keeping them at bay, kind of. And they are SHITS man. There are some absolute deathtraps here, created by the gargoyles. Or grotesques, as named in the adventure. Again, the slight touch of realism to bring things a little more visceral home. Anyway, silver, iron … home the party pick up on the clues in the place or they are gonna get F U C  K E D! Ah, oh, it looks like, also, the miller is KIND OF a pagan and knows of an old god The Winter King, that would probably keep ol Krampas at bay. But hes locked up since the church came through a hundred years ago. You could go free him. (Dungeon option number two.) He’s not that bad. Old god shit, so, you know, be polite and make an offering kind of shit. He gonna be pissed if you stole any of his items of office, like his 20k bear belt. Hey, did I mention the vampire that lives there also? Turns out he’s trapped, since the burial mound for the inter king is on an island in the middle of a river, running water and all. He might also be an option for anti-krampusing. And, he’s got these great elf-ghoul/thrall things running around. Another great concept here, bringing things a little more to life. Of course! That brings much more colour to the situation than just the normal dirt scum thralls. 

In accepting that this isa bit of an open-ended adventure, I must accept that the winter kings lair, the witch, the miller (who knows all about the winter king … and is a hidden pagan to boot! … did I mention that an examination of the priests body shows that his throat was slit before being burned? Itss those little thrown-in details that add SO much depth to a ZZarchov adventure!), the vampire, the inn and the abandoned fort won’t ALL be discovered and used by the party. Which is a fucking shame … but also a side-effect of the little regions that we all adore so much to play in!

And for the downside … the fucking editing and layout sucks ass. More so than usual in a Zzarchov adventure. There are SEVERAL editing misses in this that should have been caught. I almost never mention shit like this, but, for whatever reason, they stood out in this one to a distracting degree. And it’s formatted as only a mother could love. Just raw paragraphs with some blue and red text here and there, instead of bolding I guess. Sure. This could work. Theoretically. If you had a genius doing the work. You don’t have to go all OSE here, or Dungeon Age or whatever. But, hey, maybe just do SOMETHING to ease up the old burnden on the 6pt font?

So, hey man, great holiday adventure! The exception to the rule! Too bad the suckers reading this can’t buy it. Maybe they should come seek you out in person at a con? Decent job here.

Posted in Dungeons & Dragons Adventure Review, No Regerts, Reviews | 7 Comments

A Day in the Wasteland

Posted on September 25, 2023 by Bryce Lynch 

By Yorgan
Self Published
Tinyd6 Wasteland
Level: Intro

A Wastelands mad scientist attempts to keep the Enclave from interfering in his greatest experiment

This nine page adventure is a “hunt” for a missing truck in a Gamma World type place. You follow a linear path, stabbing things, until you die of boredom.

I’m gonna try to take todays review seriously. It’s hard, when confronted by such reckless hate. What can men do? Anyway, dude mailed me asking for suggestions and since it wasn’t 5e or Shadowdark I went for it. Also, I don’t drink in the mornings anymore. That’s sad. I now do eight shots of espresso with a little steamed milk. 

And thus, feedback!

You have written your adventure for Tinyd6, the wasteland version. I assume you did this because it is some kind of new hotness that everyone is talking about in whatever circles you hang in? Wonderful. I understand. Also, why? Gamma World is too complex? I have noted, I believe, that Gamma World is the greatest RPG ever in the history of everything? Gamma World. Or, you know, pay $20 for a TWO HUNDRED PAGE pdf for a system that boils down to “Roll 2d6, a 5 or 6 succeeds.” I’m not supposed to judge this aspect of games, though, so, feel free to ignore it.

Your marketing blurb sucks ass. It’s one sentence? I’m not the biggest fan of the long ass marketing blurbs, but, maybe three or so would be better? But, also, it’s generic as all fuck? “A wasteland scientist”? The Enclave? His greatest experiment? This is so abstracted and generic as to be meaningless. The purpose of the blurb is to get us excited to buy/download/play this adventure, and there’s nothing in this blurb that makes me want to do anything but sigh in resigned regrets.

Ok, so, let’s look at the intro. “Several days ago, the Drill Truck went out testing for wells and it hasn’t returned. Water is scarce in the Wastelands. The Enclave can’t afford to lose it. The truck was traveling west into the wastes, along the makeshift telegraph line that connects the Enclave to Salt Flat City. Someone needs to find it quickly. That someone is you.” This is terrible. First, it’s not how a survivor community acts. I mean, not unless there are, like, several hundred thousand people living in it. Are there? No? Then the community bands together and sends out a mob. Further, again, this is generic and abstracted. No details. Who meets with you. What do they say. Do they have a personality to speak of or a quirk? Anything interesting going on? No? None of that? Just “get the fuck out, who cares about the part of the adventure that sets the tone for everyone to come.” Do you know what the purpose is of the shit you see when you stand in line as Disney? It’s clear you have no interest in the pretext or setting up the vibe.

Let us take a look at some typical read-aloud: “Lying across the road are several telegraph poles. They have been cut through and the telegraph wire is broken. Above vultures circle in the sky.” This is not the way you write read-aloud. There’s no mystery here. You say, instead, tha the poles are down. Then the party investigates and finds them cut through and the lines broken. You are over-revealing in the read-aloud. By doing so you are destroying the natural back and forth between the DM and the players which is the HEART of EVERY rpg, tinyd6 or no.

There’s an emphasis on set pieces. The dude jumping from a motorcycle to land on the car roof to saw through with a chainsaw. Of course. I shall not comment on every mad maxx trope from every movie appearing, but, just focus on the emphasis on set pieces. And, of course, of people getting away so they can appear ;later. You’ve written a linear adventure with “Scenes.” You’ve kept your antagonists alive to build tension for later. This is shitty. By doing so you’ve removed player agency. That’s a cardinal sin. Instead of the usual five scene nonsense, why not instead white a little setting that the players can explore, with some shit ging on in it? A real adventure instead of a movie?

“After Carburetor Jack cut down the telegraph poles, Conrad was ordered by Scientist Joe to watch the road and to lure anyone to the lair of the Hypno Toad.” Is that sentence to be taken seriously? 

The formatting is crude, at best. A shaded read-aloud box followed by paragraphs of information with no formatting beyond that. We bold, italics, bullet and whitespace things to call out important information for the DM while they are scanning the adventure. 

Bad read-aloud. No formatting for the mass of DM text. Set piece after set piece in movie format. No real depth to anything, just generic abstracted trope after generic abstracted trope with little specificity to ground it.

It’s free, if you so desire:

https://homebrewery.naturalcrit.com/share/Z5sxY6KzANUY

Posted in Reviews | 5 Comments

Weird Fates Vol 1

Posted on September 23, 2023 by Bryce Lynch 
By Laszlo Feher
First Hungarian d20 Society
OSR
Levels 3-6

A cornucopia of four short, open-ended adventure outlines leading to lands of pure imagination, this collection should astound and entertain any company of players interested in exotic locales, strange individuals, and a generous helping of satire. Herein, you will journey to a tropical island to answer the eternal question, “What is Art?” (or die trying); confront a reclusive artist with a peculiar scheme to enlarge his audience; find the fabled graveyard of the elephants and partake of the fruits of the Tree of Forever Return; and judge a pie-baking contest in a rural backwater where nothing could possibly go wrong… or could it? Some assembly required!

This 44 page booklet has four adventures in it: an island, a jungle trek, a frog-pond and a village pie baking contest. Leaning farcical, the descriptions could be better even if its creative heart is in the right place. 

This is a compilation of four adventures, with the common theme being “Farce.” In the first you are whisked away to a remote island by an efreeti, who wants you to create/find art so he can present it to the sultan of the city of Brass. In the second you face a toadman noble with a penchant for poetry who is turning others in to frog-men also. In the third you trek through a jungle in search of the elephant graveyard. In the fourth you end up as judges in a pie baking contest in a small village … with a lot of oozes present and infiltrating. 

Among the ten thousand nations of the OSR empire there lies a portion that are devoted to farce. I loathe these. I don’t do joke adventures. The black comedy of a (slightly) serious Paranoia/Brazil is fine. We can have a bunch of farcical things and people running around an adventure., That’s ok also. But, straight on comedy? Nope. And, if the adventure proper turns in to farce, then, I’m out as well. I prefer a light hearted D&D that is still, I don’t know, realistic? That’s not the right word. We’re allowed to have fun, but this isn’t a three stooges movie. But that’s not the vibe we’ve got going on in this compilation. We’re more than a little over the line here in to comedy, or, perhaps, so much farce that its comedic. The first adventure, for example, has the party finding/creating/passing off things as art to the efreet critic/collector. I’m not too harsh on the concept. I think it would be great as an individual encounter in a different adventure. But when the entire adventure is about this concept then we’ve gone a bit too far over the line. Now everything and everyone in the adventure shares this farcical outlook and every encounter bends this direction. I’m not going to go down the path of “D&D is serious!”  … because those people are fuckwits. Errr, I mean, you should all have fun the way you want to have fun.  

There are many ways to write a good encounter. My favorite is, perhaps, the ones with a certain slyness to them. They are giving you a little wink in way that lets you read more in to the situation than is actually written. And that’s certainly the case here. This is somewhat related to the encounters being situations instead of static things. It allows the DM to build upon an encounter, bringing more to it than the actual words on the page. 

But, also, the actual DESCRIPTIONS of the places here are not altogether that strong. Each of these adventures tends to have places described instead of rooms. A village, for example is described as “Houses crudely hewn from red volcanic rock are living quarters for …”There is more here, describing what’s going on in the village of pirates, but the actual village description, what it looks like, is just what you’re being given. The House of Embers, where the efreeti lives in the first adventure, is given “structure resembles a M?ori longhouse, keeps glowing and smouldering without end” or a “big two-masted pirate sloop.” I’m pulling descriptions from the first adventure, because I’m lazy as fuck today, but the other adventure descriptions are much the same. For while you get a decent little situation description, if a little farcical, you don’t get much of a physical description. 

I think that doing a little more work on the physical descriptions and vibe, and pruning back a bit of the situation descriptions (which by far make up the bulk of each location description) would go a long way with this one. There’s nothing to be done about the farce: either you’re in to it or you’re not. 

This is $6.50 at DriveThru. The fourteen page preview will show you the first adventure. All four, I would assert, are in the same style. You can see that the thing was constructed well and inspired, just a bit off in tone and in practice.

https://www.drivethrurpg.com/product/390271/Weird-Fates-vol-01?1892600

Posted in Dungeons & Dragons Adventure Review, Reviews | 5 Comments

Folly of the Fox

Posted on September 20, 2023 by Bryce Lynch 
By David Maynard
Self Published
OSR
Low Levels

Tsarist Russia 1833: A Letun, an evil spirit long sealed away beneath the mountains near Grishinko, has been unleashed through the actions of a local hero. Its influence permeates the land, drawing in more victims to further open its prison.

This 27 page adventure details a small Russian themed region with a short mine and a longer thirty-ish room dungeon. Good formatting and interactivity do a great job, with only a little more needed in evocative descriptions to turn this one in to a great one.

Some jackass adventurer went in to a dungeon and fucked something up. That something was keeping an evil spirit locked up. We’re not talking some End Of The World thing here, but just a Makes Everything Worse kind of spirit. Anyway, we’re in Tsarist Russia, so, you know, you gotta be able to swing with the setting. =Serfs being crushed, a little gunpowder, and some Poles and French running around are going to be your main obstacles. The setting of the adventure in Tsarist Russia is a great example of a shared cultural context bringing more to the table than the actual words on the page. We all know what that description means. We know cossacks, and Russian nobles and serfs and commie revolutionaries from the 1800’s. This is leveraged to provide more to whats going on than the words actually written on the page. Perfect! This is what we want to do as adventure writers. Drowned Women In A Pond means something. And, on the flip side … it’s Tsarist Russia. Trying to run this, and bring out all of the context, in a NON-tsarist Russia game world is not going to be easy. It’s going to lose a lot without a very strong DM to bring that vibe to life for the players … since they will have none of the shared cultural context. 

We get a page of factions, a page of a timeline for the adventure, and a page of the noble houses that are running around. This is great! There is SO much information packed in to these. The context needed to run the larger adventure, the small region it is in, is all present. Just mounds and mounds and mounds of gameable info stuffed in to these. Driving, or responding, to the player interactions with them. It’s really a great example of how you can take just one page and load it with information that helps leverage the setting and dungeon to create this larger play context full of complications or allies. Speaking of a nobleman’s wife: “Fenechka: Alexei’s wife is terribly bored with all these business affairs, and has descended into her music. She’s been getting long private lessons from Trukho of late.” Rought Roh Raggy! Trukho is in the hotel,  along with Theodore the writer … and a bunch of others. Literature appearing and worked in so much better than the million shitty Midsummer Nights Dream knock off adventures. 

The text is clear and ready to read; great font choice and good headings with selective use of bolding and sometimes bullets to bring details to the DMs attention when running things. A good monster reference chart is back, as well as an appendix that has a more languid introduction scene to the adventure. Keeping the main text focused with jabs of additional information in boxes, or in the appendix … this is the way you dump information at a DM! 

Pretty good interactivity in this one. Lots and lots of people to interact with, and lots of things in the dungeons to fuck with. “A wall tapestry depicting a rooster threatening a bear hangs over a concealed tunnel …” There we go! And who’s a bear … in mother russia? Yupyup! And, even in the creature encounters we get things like “A Skeleton charges at the party, crushing a glass figurine in one of their hands. It takes an expert surgeon from Smolensk to remove the shards.” The glass figurines are a theme, and the nonstandard use of the skeleton is quite interesting. Almost a trap, yes? There’s mysteries beneath mysteries and the text is dense with opportunities for the players to explore them. It is, perhaps, just a bit (a lot?) light on inciting events … getting those folks out of the hotel and their estates to move the pieces, The situations are present but it feels more than a little static without them out in the world bumping in to the players and each other. But, still, the dungeon has a lot to fuck with … even if there is a big “find the next key!” puzzle thing going on. Also, on the subject of interactivity, the big bad here is just an evil spirit, without stats. Eventually you delve too far and open up something that you shouldn’t (hopefully, encountering the warnings first …) and let it out. Which kills everyone present. But, also, that’s the extent of it. It’s just a pandora box of you letting a certain evil back in to the world. Nice touch that, I think.

I’m not the biggest fan of the descriptions in this. It’s not that they are bad. They are certainly terse, with most main room descriptions take just a couple of sentences. They are focused and don’t overstay. I don’t know, they lack a certain bit of life though. “A mountain lion lives in this well furnished room. Torn, stained tapestries and stout walnut desks are curled up into a dense nest where three cubs reside.” So, you know, I might lead with a next of curled up, putting the sentence a little more active since the nest is the key item in the room, but, also, I’m not sure about even THAT description. In the Gallery of Icons we get “A dormant Wax Sentinel’s blue flame shines through this twisting gallery when intruders are detected, reflecting off a puddle and the twelve tarnished icons resting in wall alcoves” I get what the designer is going for here. It does lack a certain … joy? To the description though. It doesn’t feel alive. Again, not bad and certainly better than the vast majority of adventures written, just not Gold Star Bryce levels. 

So, great effort here. I could give this one a high No Regerts or a low Best. Since I’m an ass, High Regerts it is!

This is $5 at DriveThru. The preview is twenty pages, more than enough to get a sense of the thing, so, great preview. Check out that dungeon formatting and how clear it is. Or pages three, four, and five for the factions, timeline, and nobles. Sweet!

https://www.drivethrurpg.com/product/452041/Folly-of-the-Fox?1892600

Posted in Dungeons & Dragons Adventure Review, No Regerts, Reviews | 15 Comments